Digital Photographer

Pack the right gear

The first step to successful seascapes is having the right kit with you

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What gear do we need for effective seascape photograph­y? First off, a range of lenses from wide angle to moderate telephoto will cover most eventualit­ies. It’s tempting to think of the coast as being mostly wide-angle territory, to exploit the foreground interest, but longer lenses also have their uses – the ‘stacking’ effect of telephotos can create layered compositio­ns with distant headlands.

The most important accessory in landscape photograph­y is the tripod. For seascapes, you’ll need a sturdy model; when shooting on the shore, there’s a good chance that the tripod will have waves washing around it and on clifftops there is always the possibilit­y that it will be buffeted by strong winds. Carbon fibre models are generally preferred, as not only are they lighter, but they also absorb vibrations better. A hook underneath is useful, as you can hang your bag from it for extra stability. A tripod is only as good as the head, so select a decent model with a good payload. There are two basic types – ball heads and pan and tilt heads. Ball heads are popular because they are easy to operate and have a good weight-to-strength ratio, but pan and tilt heads, especially those that have geared movements, offer greater control.

The next thing to pack is a filter system. There are three types of filter that are useful for landscape photograph­y: polarisers for reducing glare, graduated filters for controllin­g contrast and neutral density filters for manipulati­ng exposure times. Along with this, make sure that you have some cleaning kit – a microfibre cloth and some lens cleaning fluid for helping to keep lenses and filters clear of sea spray.

 ??  ?? Wide-angle prime to exploit foreground interest and enhance depth and perspectiv­e Filters: a grad to prevent the bright sky from overexposi­ng and nD to lengthen exposure solid carbon fibre tripod and three-way geared head for finetuning compositio­ns...
Wide-angle prime to exploit foreground interest and enhance depth and perspectiv­e Filters: a grad to prevent the bright sky from overexposi­ng and nD to lengthen exposure solid carbon fibre tripod and three-way geared head for finetuning compositio­ns...

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