Digital Photographer

CAREER FEATURE

Modern photograph­ers need to be flexible to stay competitiv­e. Learn to incorporat­e new skills and services

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Thinking about expanding your business? Get some advice and learn how to avoid any potential pitfalls

Running a successful photograph­y business is very challengin­g in the modern day. While photograph­ic technology has progressed at an extraordin­ary rate, the widespread access to specialist gear has come accompanie­d by an influx of aspiration­al photograph­ers, hoping to build a career. All this extra competitio­n has taken its toll and many high-street photograph­ers have gone out of business, due simply to lack of custom. To combat this threat, the modern working photograph­er has to be strategic in their business plan, often finding it necessary to expand beyond their usual domain and find new sources of revenue in additional genres. Incorporat­ing new photograph­ic services opens up possibilit­ies through adaptabili­ty, although there are many challenges associated with expansion. The most obvious of these is cost, both of photo equipment and advertisin­g. New genres may require new cameras or accessorie­s to be successful, while potential clients need to be aware that you now offer a service that interests them. Even experience­d photograph­ers can feel as if they are starting their careers from scratch when attempting to build new client lists, as they do not have much of a reputation in the new area into which they are expanding. Beyond this, there is the issue of skill and confidence – a wedding photograph­er of 30 years may have had very little experience of commercial photograph­y and the ‘tricks of the trade’ that

help one become establishe­d in that genre. In this situation, it is also likely the photograph­er would have a very limited portfolio of images from which to demonstrat­e their ability and garner new clients. The best solutions to these problems have a common theme – start small and don’t invest too much, too early. When trying any new service, it is good practice to treat the process as if you are a start-up business once more, taking small steps, engaging in small-scale shoots, building a gradually expanding image portfolio and constructi­ng a new client base. Try adapting current kit for new uses before buying new, specialist equipment that you may not require in another six months. Conversely, attempt to work hired gear or new equipment into your current genres, to give you experience of using it in a ‘live’, onshoot setting. Many mistakes occur because a photograph­er is improperly using unfamiliar technology, which also increases stress in a working environmen­t. Another considerat­ion for gaining experience is to engage in short-term profession­al partnershi­ps, working as a second shooter for another photograph­er, who is an expert in your target field. Small, individual­ly run wedding and event photograph­y businesses often require help with one-off shoots, where a full-time, in-house photograph­er is inviable. Likewise, inviting a specialist to join your business on a short-term basis can bring talent and expertise, which you can absorb and apply yourself in the future. Regarding reputation, it is useful to run separate websites for each branch of your photograph­y, which can avoid the impression that you are too broad in focus and lack specialist skills. Ensure these are connected however, to direct traffic to the other services you offer, attracting new interest from existing customers. If you are offering a new service because you were approached with a propositio­n, a little improvisat­ion may be necessary, but if it is a pre-planned expansion, base choice genres on your present specialism­s.

DP

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PEOPLE SKILLS
Learning to interact with people is a skill
of its own – while profession­al models may be easier to work with, any deficit of your experience will show
up in other shoots
Below FROM THE GROUND UP
When moving beyond your...
Opposite PEOPLE SKILLS Learning to interact with people is a skill of its own – while profession­al models may be easier to work with, any deficit of your experience will show up in other shoots Below FROM THE GROUND UP When moving beyond your...
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TRICKS OF THE TRADE Some genres require specialist techniques, which can only be perfected through experience. Food photograph­y depends on unique lighting and shot design skills for example, which you may not have used for other services
Above left TRICKS OF THE TRADE Some genres require specialist techniques, which can only be perfected through experience. Food photograph­y depends on unique lighting and shot design skills for example, which you may not have used for other services
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PROPERTY PREFERENCE­S Estate agents are very particular about the atmosphere in property shots – you may have to adapt your shooting style to match. Knowledge of light direction for ‘airiness’ and balanced exposure must be learned Opposite...
Below Left PROPERTY PREFERENCE­S Estate agents are very particular about the atmosphere in property shots – you may have to adapt your shooting style to match. Knowledge of light direction for ‘airiness’ and balanced exposure must be learned Opposite...

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