Digital Photographer

MAKE USE OF DIFFRACTIO­N

Use creative aperture control to introduce some artistic flare to your images, with this in-camera special lighting effect

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Learn how to turn points of light into attractive starbursts with this step-bystep shooting tutorial

Low-light shots in towns and cities offer a multitude of creative opportunit­ies and exposure challenges in equal measure. High contrast between the dark environmen­t and bright artificial light can make calculatin­g exposure tricky. However, this contrast allows artistic use of very defined points of light, such as car headlights and street lamps, to produce photograph­s with added interest. A popular technique is to use the diffractiv­e properties of very narrow aperture settings to render these lights as eye-catching ‘starbursts’, which can be used to create images with a dreamy, fairytale atmosphere. This effect is not something we see with our own eyes, so it easily draws and holds a viewer’s attention. Without the proper use of f-stop, lights will remain diffused, bright areas, devoid of form and structure, which does not suit every compositio­n. By varying aperture, the extent of the diffractio­n of light can be controlled, altering the effect strength, while focal length changes the size of the lights within your compositio­n. With the correct subject matter and a subtle balance of effect strength and environmen­tal interest, this technique can breathe life into otherwise flat and dull scenes.

1

SELECT APERTURE PRIORITY MODE

Set A (or Av) mode from the main shooting mode dial, which will enable you to control f-stop while the camera monitors shutter speed for exposure. Set ISO 400 as a base setting.

2

USE A TRIPOD

Due to the need to utilise a small aperture to create the starburst effect and the low ambient lighting, a tripod is recommende­d to keep images sharp. Try test compositio­ns before affixing your camera.

3

STOP DOWN THE APERTURE

Use the control dial to set a narrow aperture. Start at f16 to achieve the effect without compromisi­ng quality – only go to f22 or beyond if you need a stronger, more defined effect on your lights.

4

ADJUST EXPOSURE

To create good contrast between the lights and background, underexpos­e slightly using exposure compensati­on to produce a darker, dramatic atmosphere, so the diffracted lights stand out.

5

PLACE YOUR SUBJECT

Use Live View to compose your image, placing your subject within your pre-arranged background. Try varying subject position, overlappin­g them with the lights to experiment with flare effects.

6

SHOOT AND REVIEW

The small aperture will produce deep depth of field, so shoot multiple images to ensure a clean background, free of distractio­ns. Increase the f-number further if the effect is not yet strong enough.

 ??  ?? Inset WIDER APERTURE
Before stopping down, street lights appear as ‘blobs’ of light within the image and fail
to have the creative impact we desire
AFTER
EYE-CATCHING EFFECT
After stopping the aperture down to f16 or beyond, points of light turn...
Inset WIDER APERTURE Before stopping down, street lights appear as ‘blobs’ of light within the image and fail to have the creative impact we desire AFTER EYE-CATCHING EFFECT After stopping the aperture down to f16 or beyond, points of light turn...
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