Digital Photographer

PRO CASE STUDY

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HOW LONG HAVE YOU RUN A PHOTOGRAPH­Y BUSINESS AND WHAT AREAS OF PHOTOGRAPH­Y DO YOU USUALLY WORK IN?

I began my career at Blackpool College in 1983, studying commercial photograph­y and video. I started my current business in 1999 and specialise in location lighting, working for a range of clients from estate agents to design companies. I embrace new technologi­es where I can to enhance my work, but I like to produce results incamera, not relying too heavily on post-production. Lighting is the thing that I enjoy most and fortunatel­y, as technology has changed, lighting is still as relevant as ever.

WHAT ARE THE MAIN CHALLENGES WITH INCORPORAT­ING A NEW SERVICE OR GENRE INTO A PHOTOGRAPH­Y BUSINESS?

New services always involve investment of time and money so it’s important to get them earning their keep as quickly as possible. You may need to learn new skills and invest in equipment and marketing. With my work I aim to provide clients with images that will help them sell their product or service, so when I’m offering a new service I offer it to existing clients first to ensure that there is a need. A new service is also a great way of gaining new clients and introducin­g them to your existing services.

HOW COULD A PHOTOGRAPH­ER JUDGE IF OFFERING A NEW SERVICE HAS BENEFITED OR WILL BENEFIT THEM IN THE BUSINESS LONG TERM?

You will need to take a long-term view as nothing happens overnight, but a new service needs to gain you new clients, new business and potentiall­y open up new avenues to you. Everything has to be cost effective – if it’s not, then you will have to rethink.

WHAT WOULD YOU SUGGEST SHOULD BE THE FIRST STEPS WHEN IT COMES TO OFFERING A NEW PHOTOGRAPH­Y SERVICE?

Be certain that you are proficient – try and wing it and you will lose credibilit­y. Marketing is crucial, but offer it to existing clients first.

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THAT SPECIAL LIGHT Roger is an expert in location lighting. Advertisin­g shots like this require knowledge of complex lighting setups to achieve attractive balanced exposures
Above top THAT SPECIAL LIGHT Roger is an expert in location lighting. Advertisin­g shots like this require knowledge of complex lighting setups to achieve attractive balanced exposures
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COLOUR AND DEPTH Roger Dyson has extensive experience of commercial photograph­y, with ‘insider knowledge’ of how to use light and colour to sell a product or concept
Above below COLOUR AND DEPTH Roger Dyson has extensive experience of commercial photograph­y, with ‘insider knowledge’ of how to use light and colour to sell a product or concept
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