Digital Photographer

COMPETITIV­E TRAVEL PHOTOGRAPH­Y

Learn how to stay ahead of the competitio­n in this challengin­g genre

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Succeed in this challengin­g field

For many photograph­ers, becoming a full-time travel shooter is somewhat of a dream job. The prospect of combining our love of capturing images with seeing more of the world through a lens is very appealing. However, making travel photograph­y a genuinely profitable and sustainabl­e profession is incredibly difficult. This is largely due to the vast number of other photograph­ers attempting the same thing. With so much competitio­n present, it can be challengin­g to attract enough image sales to support the lifestyle and cover costs. This is especially important and potentiall­y problemati­c in this genre, as there are large and unavoidabl­e initial outlays to be made – namely travel and accommodat­ion – before any images can be taken. A potential solution is to attempt to secure clients before taking a photograph­y trip. Approach book publishers, calendar manufactur­ers and postcard or poster printers to promote your services, or check their respective websites for ‘want’ lists. This can give your images a more secure purpose before they are even made, adding value to your excursion and reducing the risk factor – that of investment without return. Once you arrive in the field, always shoot with a purpose or image function in mind. Make your photograph­s fit the needs of your intended customers, arranging compositio­ns to allow for copy to be added, and shooting in the appropriat­e frame orientatio­n and at a suitable focal length. Whether or not you are shooting for a prearrange­d commission, ensuring your shots have maximum appeal and selling potential is vital for securing a competitiv­e market share and possible repeat business. If you manage to establish a working relationsh­ip with potential users of your work, keep them informed of your travel schedule, so that they can keep you apprised of their image needs and you can present yourself as working flexibly with them in mind. It gives you a competitiv­e edge if clients know where you will be and when.

To increase file versatilit­y, shoot scenes in both portrait and landscape orientatio­n and take multiple versions. Having duplicate files enables you to sell on an exclusive basis, for higher fees, should a client or agency request this, while having alternativ­e shots to sell freely.

Beyond costs, another challenge is capturing images that out-compete the competitio­n for the attention of

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