Digital Photographer

POSE TWO SUBJECTS

Learn how to shoot with more than one subject

-

having more than one person in your scene will become more of a challenge. You’ll need to consider how to light and frame each subject to ensure that each person is framed in a flattering manner.

if you are shooting a couple or even close friends your aim will most likely be to show a connection, interactio­n and feelings between the subjects. even in scenes where the subjects don’t necessaril­y have a relationsh­ip, the models should still engage with each other in order to create a level of harmony in the scene.

“You definitely need more patience and a perspectiv­e view for details,” explains sandra Limberg (SOLLENA-PHOTOGRAPH­Y.DE).

“for photos with more than two people i am always happy to have assistance with me to watch and keep an eye on the details. for group pictures it is important that the people in the group like each other. in my opinion, distances and discrepanc­ies in photos are visible immediatel­y. if all optical details are right, i leave them be. in groups, i’ll give a little more guidance and instructio­ns concerning movements or who should look in which direction, but basically, let them be people.

Let them be a group.”

Bouget explains that, “The rules for posing with more than one person will actually be the same as posing with one person. You will have to observe the same details as the ones as i have told you to pay attention to throughout this feature. The additional thing you may be able to do will be to create an interactio­n between the models in terms of posing according to the story you want to tell.

“for a family the first lighting setup is one large source above me (you will need an overhead boom arm). This way everybody will get about the same quantity of light, with nice soft shadows on their face. The bigger the family, the larger the light source will need to be. for a family you may also want to use two light sources, one above you about one metre away on your left, and one above you about one metre away on your right.

“These two lighting setups will make it easier for you to have flattering shadows on the faces of every member of the family. With only one light source placed on the left or right, the person who is the furthest from the light source will get less light than the other members of the family, and will run the risk of having less flattering shadows – though of course retouching is possible afterwards.

“it all depends on the story i want to tell. Do i want to put emphasis on one of the models in contrast with the other? Do i want to light them ‘equally’? if the light is hard, i may use the sun as a backlight for example. i may shoot in the shade and make the family/ model’s face where the main light source is. if the light is soft because it is cloudy, i will generally make the family/model’s face where the main light source is.”

 ??  ?? Right HARMONY How you pose your models together will depend on the story you wish to tell in your image BALANCE Symmetry also works particular­ly well when shooting two subjects
Right HARMONY How you pose your models together will depend on the story you wish to tell in your image BALANCE Symmetry also works particular­ly well when shooting two subjects
 ??  ?? Left SHADOW for a more attentiong­rabbing capture consider a creative lighting approach
Left SHADOW for a more attentiong­rabbing capture consider a creative lighting approach
 ??  ?? Above
FROM ABOVE approach your capture from a variety of different angles for a new approach to the image’s narrative
Above FROM ABOVE approach your capture from a variety of different angles for a new approach to the image’s narrative

Newspapers in English

Newspapers from United Kingdom