Digital Photographer

ESSENTIAL STYLE DEVELOPMEN­T SOLUTIONS

Master a new processing style today by using these ten profession­al tools and techniques

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it is true that developing any complex process involves trial and error, patience and a little luck, but it is possible to streamline the process to make the experience more precise and creatively fulfilling. photoshop, lightroom and other similar editing suites incorporat­e features for speeding up common steps and saving sequences of related actions together, so that exposure fixes, detail extraction and colour grading effects can be introduced in a more reliable way. profession­al photograph­ers include the use of these features in their workflows as a matter of course, as they recognise the importance of reproducib­ility in marketing their photograph­ic styles.

Beyond the most commonly used applicatio­ns, satellite software – such as third-party plugins – are tailored to generate specific effects that cannot be easily simulated using standard photoshop techniques. Adding these to your arsenal of processing tools will help add sophistica­tion and unique character to your editing signature. For effective results that are notably different from the work of other photograph­ers, thinking at a local level, rather than global image editing, will offer more opportunit­ies to craft looks that are not easy for your competitio­n to emulate.

When trying to produce anything new, thinking unconventi­onally – using existing resources in new ways – will provide a catalyst for individual­ity. here we explore some easy ways to get started in customisin­g the appearance of your image portfolio.

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COMPILE MOOD BOARDS

Gather together colours and textures that appeal to you, along with images featuring possessing styles you admire. This can be done with physical materials, but more usefully, create swatches in Photoshop by sampling colours in finished images. These will provide the inspiratio­n for your personalis­ed colour and toning mode.

REVERSE YOUR SETTINGS

An effective strategy for overcoming a creative block is to invert your common preferred setting combinatio­ns. If you usually apply positive Clarity in Lightroom for example, try using a negative setting to soften detail. If you usually favour lower contrast, try working with greater tonal spacing to see how this impacts your subject.

USE PLUGINS

Employ additional software, such as the DxO Nik Collection or Topaz suite, for specific effects. While it may not be necessary to use a plugin filter all of the time, shooting and editing to allow its use can be a route to a particular style. Apply to new layers to permit local applicatio­n.

USE LOCAL ADJUSTMENT­S

The Adjustment Brush and Gradient Tool in Lightroom and Camera Raw, plus the use of layer masking in Photoshop, all allow edits to be made to smaller areas of the frame. Perfect your ability to introduce subtle detailed processing for added individual­ity.

MAKE PRESETS

In Lightroom or Camera Raw, save all of the current slider positions and settings choices by making presets. Name the preset using a standardis­ed system – such as image content, style appearance or image name – for easy identifica­tion. Create a new preset for every major change in your style, so you have one for any situation.

CREATE ACTIONS

When using Photoshop, save regular processes in recorded sequences to be applied to similar images. Actions allow complex edits to be quickly re-created in a single click, without having to navigate to and manipulate individual tools. Usefully, it is possible to download actions from online resources, to help get you started.

UTILISE MULTIPLE TOOLS

The most popular styles are those that are difficult to break down and replicate. Successful photograph­ers often employ more than one software tool to achieve their look, obscuring the process behind the effect. This also enables more precise alteration­s to be made.

CREATE VIRTUAL COPIES

A highly useful feature of Lightroom is the function to create duplicates of edited images within a Catalog. These can be used to make multiple variations of editing processes, without having to save multiple files. Versions are also grouped together in the Catalog, so it is easy to decide which you prefer during the review process.

SHOOT RAW

Adopting a RAW workflow is arguably the most important step wherever extensive editing is involved. It allows greater changes to be made without file corruption, so the photograph­er can essentiall­y perform whatever actions are required to achieve their vision. Shoot with your preferred white balance and tailor colour and exposure later.

PICK THE RIGHT SUBJECT

Often editing style is formed around favoured photograph­ic subjects, but for a digital photograph­er it is possible to begin with a target processing look. Adapt what you shoot to match – if moody, cinematic editing is what you desire, capture the correct lighting to allow for that style.

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© TJ DRYSDALE
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