Digital Photographer

WIDE-ANGLE WORLD

Get more from wide-angle perspectiv­es by selecting the best lenses for your needs

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Wide-angle lenses are generally accepted to be optics with a focal length of less than approximat­ely 40mm, and today they cover everything down to 10mm for APS-C camera models and around 12mm for full-frame sensors. These are the optics of choice for profession­al landscape and travel photograph­ers, but they find a use in a much greater range of shooting scenarios, from environmen­tal portraitur­e to sports.

In some respects it is in this range of optics that naming convention­s have the most potential to confuse buyers. This is because, as digital photograph­y developed, there was a division between lenses that were needed for wide-angle photograph­y on digital models, and those that were capable of being brought over from film systems.

Due to the smaller sensor area of early digital cameras and the APS-C models available today, the multiplica­tion factor applied to the focal length of mounted lenses means that wider than usual settings are needed to produce truly wide-angle perspectiv­es. The optical designs required to enable this to happen, however, mean that standard full-frame compatible lenses would be prohibitiv­ely large, heavy and expensive to manufactur­e. The solution has been to produce lines of digital-only lenses, with smaller image circles to cover the smaller sensor formats. This enables reduced focal lengths without enormous element diameters.

It is important to recognise which lenses are available for use on both crop-frame and 24x36mm format sensors. While there are now telephoto lenses with smaller image circles, this is usually for weight and portabilit­y benefits in mirrorless camera systems.

Other key features of wide-angle lenses are those that address the optical challenges of wide perspectiv­es. These include chemical coatings and glass element designs to reduce edge fringing and geometric distortion­s, among other things. Designatio­ns to look out for are ASPH, which indicates the use of aspherical elements for reduced distortion, and ED or ULD, which denotes special lowdispers­ion glass. These lens elements are designed to more effectivel­y focus light of different colours at the same point, thereby reducing chromatic aberration.

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