LISTEN UP
Creating a podcast provides an opportunity to network, inspire others and even generate an income. We've put together some quick fire advice to get your tapes rolling
There are many compelling reasons for a pro photographer to create a podcast. For the keen storyteller, recording interviews enables you to engage with other creatives and bring their narratives to a wider audience – and is also a great way to expand your own network. Going solo is another option, and you could put together episodes on anything from commentaries on your images to gear reviews, or opinion pieces on topical news from the photo industry.
From a marketing perspective, podcasting works well as a brand extension – something that doesn’t make your photo business money in itself, but helps to increase exposure and awareness of it. There’s a reason why so many celebrities and high-profile individuals have jumped onto the platform in recent years.
Like most successful creative endeavours, however, there’s no quick route to success. The best (and best is a subjective term, of course) shows are those that regularly feature engaging or insightful content, relaxed guests, top audio quality, as well as an easy-tounderstand handle.
So what do you want your podcast to sound like, look like, and focus on?We can’t answer these questions for you, but we can provide practical tips for getting started. Read on, and discover how to plan content, record and edit quality audio, and then distribute your shows when they’re ready to go live. The popularity of podcasting has boomed in recent years, and we have some pro podcasters here who have shared their insights and approaches.
PLANNING YOUR PODCAST
Start by asking yourself, “Why do I want to start a podcast?” It’s a saturated space, so if your plan is to make cash quickly, think again. We spoke to professional landscape photographer Sam Gregory, co-host of The
Togcast, to find out why he saw value in podcasting and sought to create his own.
“The podcast genre has allowed people to find audio content in their own specific niche areas of interest,” Sam says. “Essentially, it’s like having a personalised radio station, all for yourself, so you can play what you want, when you want, wherever you may be. They’re usually free, can be easily downloaded, and it makes perfect sense to listen to something you’re interested in while you travel.”
Finding a niche for your own show is a good place to start out, as you don’t want to end up mimicking established podcasts and competing for airtime. Being authentic is also vital to success in the modern era. If you’re not passionate about your guests or your content ideas, this is likely to come across in the finished show.
Sam started The Togcast with co-host and fellow pro Paul Sanders in 2016, with the pair focusing on long-form interviews with leading photographers. “I couldn’t find anyone already producing what I wanted to hear myself as a photographer,” he says. “The podcasts that were around [then] were usually gear- based, or single photographers talking about their own work or travels. I wanted to hear from a range of photographers in long and stimulating interviews to understand their processes, motivations and their work. I could see there was a community of landscape photographers in particular, but no glue binding them together in terms of unique, interesting and engaging audio content.”
Starting a show from scratch might seem daunting, but regularity is an important component for podcast listeners. At the very beginning, The Togcast duo made a long list of photographers whose work they were interested in, and progressed through this for the first two years. “Contact was usually made through friends of friends, or direct to photographers through their social channels or websites,” Sam says.
Having a schedule for episodes also helps to stay on track and keep the momentum going. “We release two episodes per month and are interested in learning about a photographer’s motivations, stories, challenges and inspiration. We mainly cover the landscape genre but have also featured wildlife and documentary photographers.”
Guests on The Togcast have included names such as Joe Cornish, Charlie Waite, Valda Bailey, Rachael Talibart, Verity Milligan, and Martin Parr, but Sam believes it’s important to choose photographers who have something unique about their work – including ‘lesser-known’ photographers as well as well-known names. “Arguably we could grow more if we hunted guests according to their social media reach (to access more listeners) but that would be contrary to our original motivations,” he explains.
RECORDING EPISODES
Every photographer has a presenting style that’s right for them, but don’t panic if you can’t find yours straight away. Relax into the process, and your approach should come across more organically. ForThe Togcast, the tone is friendly and informal. “Paul and I always set out to have conversations with the guests as opposed to interviews. We record 99 per cent of the interviews in person instead of video calls, as this lets us build a rapport, resulting in a more personable conversation,” Sam says.
If your plan is to interview others, consider whether to set questions beforehand or go with the flow. “[Paul and I] both approach this differently,” Sam admits. “I tend to have various key topics: four or five major parts of their work I’d like to touch on and then some specifics. I’ll research and make these notes
beforehand so when in conversation I’m not referring to them. Previously I had specific questions, but the issue then is you’re searching for questions and not listening and reacting to the answers as you should be!”
Once you’ve found an angle and approached some guests, you’ll need to consider the logistics involved, such as how you’re going to record the audio. This is a new skill for many photographers, but it’s vital to get right. Sam advises, “High audio quality is really important if you want to deliver a quality podcast that listeners can trust and enjoy,” says Sam. “Grab yourself a good microphone, such as the RØDE NT-USB or RØDE smartLav+ lapel mics. These go into a small portable recording device, which is useful if you’re on the move.”
If you record interviews on location, wind and other ambient noise can lead to questionable audio quality, so after recording, use post-processing tools to develop your clips into clear audio content. Sam uses a programme called Reaper, but free digital editors such as Audacity are also out there. In the same way that you would with image files, keep your podcast files organised. Use consistent folders structure filenames.
In terms of the general skills needed to succeed with podcasting though, Sam believes these depend on what you want to get out of the process. “If you deem success to be financial reward, then the most useful skills would be marketing based: a good understanding of how to leverage social media to reach your potential audience.”
If you want to create insightful content that teaches you along the way, the best skills are based around curiosity and knowing when to listen and not to talk. “Ideally, you’d manage in both of the outlined scenarios,” Sam muses.
There are challenges for photographers wanting to record a podcast, but many upsides too. “You meet other photographers, share your ideas, stories, inspirations and you can always learn something from everyone you spend time with.”