Digital Photographer

STORY BEHIND THE STILL

- PHOTOGRAPH­ER’S NAME: Petr Polách WEBSITE: polachpetr.cz/en IMAGE LOCATION: Yucatán, Mexico TYPE OF COMMISSION: Personal SHOT DETAILS: Sony ILCE-7RM2, FE 16-35mm f/4 ZA OSS, 1/80sec, f/9, ISO 3200

Petr Polách tells us more about his magical underwater shot in a Mexican caving system

ABOUT THE SHOT: Underwater photograph­y is in many ways the definition of a niche genre. It is amazing how much of an adjustment is required when shooting in this unfamiliar medium. A special set of skills are required to work effectivel­y in aquatic environmen­ts – both practical and technical. For this shot, Petr Polách needed to call on all his photograph­ic expertise.

“This image was taken while diving in the cave system in Yucatán, Mexico, specifical­ly in the flooded cave Dream Gate’s downstream section,” explains Petr. “Flooded caves are characteri­sed by an unfavourab­le situation for a photograph­er – absolute darkness. The solution is to use external underwater flashes. For this photo, I used a total of five flashes – three external and two on the case.”

It was the alien nature of the setting that enthralled Petr and inspired his imaginatio­n, driving him to capture an image that accurately depicted the scene. “The world of flooded caves, in which the diver swims in a state of weightless­ness among the beautiful stalactite decoration­s, completely captivated me and forced me to capture this beauty in photograph­s. I wanted to capture the size of the cave space, so in the foreground is a large stalactite, followed by a diver, and in the background a blue cave space with small stalactite­s. The colours in this cave made it possible to emphasise the space with complement­ary colours – orange and azure blue. I wanted to share this beauty with people who have no chance to visit this world.”

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DREAM GATE
Petr only made minor adjustment­s in post-processing, focusing on colour, contrast, brightness and saturation to
emphasise the natural impact of the scene
Right DREAM GATE Petr only made minor adjustment­s in post-processing, focusing on colour, contrast, brightness and saturation to emphasise the natural impact of the scene
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