Digital Photographer

PRO COLUMN

VERITY MILLIGAN considers the creative satisfacti­on of unintended opportunit­ies

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Verity Milligan on shoots not going to plan

Have you ever had a set idea in your mind regarding what you want to photograph or what conditions you’d like to shoot in? If so, then you’ve presumably felt the sharp sting of disappoint­ment when things inevitably don’t quite work out. The flipside to this is when you head out prepared to shoot something specific and find your attention diverted to a scene that’s very different. In my experience, it is moments like this that can ultimately end up being the most creatively satisfying.

Admittedly, I’m perhaps not the most organised of photograph­ers, in much the same way that I’m not particular­ly technical. I’m an intuitive creative, preferring to read the landscape and shoot according to how I feel. I’ll have a sketch of what I might like to achieve when I’m out shooting, but ultimately I realise that the conditions might have a different idea.

As a landscape photograph­er, the weather can be unforgivin­g when it comes to meddling with my plans. Often this involves flat grey or even clear blue skies, both of which are not easy conditions with which to work. When the weather doesn’t comply, it means I have to think outside the box. On one particular­ly clear, bright morning, I was exploring my home city of Birmingham. The light was too harsh for meaningful urban landscapes, and after taking some frames that were likely to never see the light of day, I returned to my car feeling particular­ly frustrated.

On my route, I wandered passed an innocuous water feature, glinting in the light, mirroring the surroundin­g office buildings, and it caught my attention. In the breeze, gentle ripples distorted the reflected architectu­re, creating fascinatin­g, fleeting shapes. Shooting with a circular polariser attached to my lens meant I was able to enhance the reflection­s to reveal them in all their glory. As the water shifted and changed, it gave the appearance of fabric, such as silk. My style can be somewhat literal, so this moment of abstract creativity helped me to go outside of my photograph­ic comfort zone.

I find that plans often change at the last minute for a myriad of reasons, especially during these uncertain times. The natural reaction to this might be frustratio­n, but some of my favourite images from the last couple of years have come when I’ve embraced the limitation­s placed upon me.

So, the next time circumstan­ce foils your best-laid plans, have a look around and see if fate is intervenin­g to show you something more intriguing than you could ever have imagined before you set out.

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Verity is a landscape and commercial photograph­er based in Birmingham, UK.
She’s also an ambassador for
Zeiss lenses, and a workshop leader with Light and Land. WWW.VERITYMILL­IGANPHOTOG­RAPHY.COM
PRO BIO Verity is a landscape and commercial photograph­er based in Birmingham, UK. She’s also an ambassador for Zeiss lenses, and a workshop leader with Light and Land. WWW.VERITYMILL­IGANPHOTOG­RAPHY.COM

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