Zen and the city Evolved by two greats of Japanese design, this unique property is an oasis in the bustling heart of Paris
The evolution of this home, an oasis of tranquillity in the heart of Paris, has involved two greats of Japanese design
Stroll through the sequence of peaceful courtyards that lead from a busy street in the Bastille district of Paris to this hidden architectural gem and you will feel calm descend. This is a home unlike any other in the French capital. Built across four levels and clad head-to-toe in cedar, it was once the beloved residence of Kenzō Takada, the designer and founder of an eponymous fashion, skincare and perfume empire. Born in the picturesque Japanese city of Himeji, Kenzō emigrated to Paris in 1965, but with this house, which he created himself, he was able to bring the essence of his birthplace to his new home.
When Kenzō decided to leave the grand, 1,300 square-metre property in 1993 and downsize to a smaller apartment on the city’s Left Bank, he handed over not just the keys but also his personal vision of a zen Parisian paradise. Luckily, the property has now found owners who share the designer’s passion for this unique home. Intent on modernising, but without compromising its spirit, they drafted in the help of legendary Japanese architect Kengo Kuma.
The main change that Kuma’s team of architects – including Yuki Ikeguchi, Chizuko Kawarada and Masatoshi Tobe – made was to rearrange the space so that the garden, with its delicate cherry tree and koi pond, could be viewed from all corners of the house. To do this, they replaced the existing swimming pool with an engawa (a type of Japanese covered porch) and removed the walls and colonnades which used to divide the now open-plan living and dining rooms. ‘The changes bring transparency and continuity to the building,’ explains Masatoshi. Whole portions of the property were left untouched – the wing containing the sukiyazukuri- style tea room, with its tatami-mat flooring and traditional shoji screen, for instance. Bridging the divide between the reimagined sections of the house and these original rooms was perhaps one of the biggest challenges.
‘It was a struggle,’ admits Masatoshi, ‘but we picked European oak for the floors and ceiling louvres to match with the materials palette in the rest of the property.’ Luckily, Kuma’s team were also able to collaborate with Atelier Kiol, the local architecture practice that helped Kenzō with his initial designs. ‘With their help, we were able to change the pale green paint that past owners had added and reproduce the pure white that first graced the walls,’ adds Masatoshi.
When the architecture is this striking, very little is needed in the way of decoration, so furniture has been kept sparse. Just a few carefully chosen pieces grace the minimalist interiors. These include the collection of ‘Wishbone’ chairs by Hans J Wegner for Carl Hansen & Søn that surround the handcrafted dining table, which is made from the same oak as the floors, walls and ceilings.
Recently invited to revisit his passion project, Kenzō was moved by the sensitivity of the transformation. ‘My old home is even more Japanese than when I was living there,’ he remarks. ‘But it has also become more modern by Mr Kuma’s hands.’ kkaa.co.jp
The EUROPEAN OAK used for the floors and ceiling LOUVRES
matches Kenzō Takada’s ORIGINAL materials PALETTE
FURNITURE has been kept SPARSE. Just a few carefully chosen pieces grace this MINIMALIST interior