ELLE Decoration (UK)

THOUGHTFUL MINIMALISM

A strict palette and a functional approach to design produces luxurious results in this new build on the outskirts of Bruges

- Words CLARE SARTIN Photograph­y AMBROISE TEZENAS/PHOTOFOYER

When Thomas Ostyn purchased a patch of land on the verdant outskirts of the Belgian city of Bruges, he already had big plans. The third generation of the innovative family behind kitchen brand Obumex, he had extensive experience working with the world’s leading architects, from John Pawson to Joseph Dirand, but for his own home – a family space to share with his wife Julie and their three children – he craved a fresh perspectiv­e.

‘I wanted to work with a young and talented architect,’ says Thomas, who envisioned a close collaborat­ion on this most personal of projects. Brussels-based Nicolas Schuybroek was the ideal man for the job. ‘His architectu­re is timeless but up-to-date, and he has a very diplomatic and empathetic approach to working with clients,’ explains Thomas. What’s more, Nicolas went to boarding school in the nearby town of Loppem so knew the area well.

The first task for the duo was to decide on the tight edit of materials that makes this build unique. Together, they settled on muschelkal­k, a type of sedimentar­y rock known for its layers of fossils (from German it translates as ‘shell-bearing limestone’), sandblaste­d aged oak and metal for the interior. Outside, elongated grey bricks lend the building a sleek solidity. ‘For me, a house is a place to relax, so I didn’t want visual excess,’ says Thomas. ‘That’s why we kept the palette simple and consistent.’

The minimalist layout of this home was also carefully considered. ‘It needed to contain and absorb the energy of Thomas’s three young children,’ notes Nicolas, who designed a pavilion-like property with no traditiona­l front or back. Instead, every external element is equally important – whether it be the doorway where the family change out of their dirty shoes after walks in the countrysid­e or the grand entrance that greets guests. ‘The architectu­re is interestin­g from all angles,’ adds Thomas.

Inside, the interest continues, with a core living space – kitchen, dining area and living room – acting as an open-plan hub around which family life circulates. ‘So many people only use about 20 to 30 per cent of their houses. They provide their homes with spaces that only come into use for special occasions, like a dinner party,’ says Thomas, who strove instead for a design where no area is wasted. To this end, much of his property is multifunct­ional. The main bedroom is also a snug, not just a place to sleep, while the dining room doubles as an office or a bar.

There’s a practicali­ty to Thomas and Nicolas’s vision, but function does not overtake form here. Luxury exudes from every detail, whether it be the statement kitchen – designed by Joseph Dirand as part of Obumex’s ‘Signature’ collection – or the furniture, which includes vintage classics by Pierre Jeanneret and Jorge Zalszupin.

Even when it comes to these prized pieces, though, Thomas’s approach is unshakeabl­y pragmatic. ‘However valuable it may be, a kitchen or a chair is designed to be used. Why would you buy a Ferrari if you can only look at it? My motto is: surround yourself with less stuff, but choose better and enjoy it to the fullest.’ obumex.be; ns-architects.com

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 ??  ?? Living room The huge mantelpiec­e is crafted from muschelkal­k and is bespoke. To the right of the elm coffee table – a custom design by architect Nicolas Schuybroek – are two white ‘Ipanema’ armchairs by Jorge Zalszupin for Etel
Living room The huge mantelpiec­e is crafted from muschelkal­k and is bespoke. To the right of the elm coffee table – a custom design by architect Nicolas Schuybroek – are two white ‘Ipanema’ armchairs by Jorge Zalszupin for Etel

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