ELLE (UK)

Q&A / Lucia Pica

MEET THE NAPLES-BORN MAKE-UP ARTIST DISRUPTING TRADITIONA­L COLOUR PALETTES AND FINDING INSPIRATIO­N IN IMPERFECTI­ON

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Giving Kristen Stewart a red smoky eye, looking for colour inspiratio­n while walking the streets of Paris, and being known for her naughty sense of humour, Lucia Pica has marked herself out as a subverter in the sometimes all-too-safe beauty industry. As Chanel’s Global Creative Designer of Make-up and Colour, she believes make-up should never be used as a mask to hide behind: ‘Whether the look is natural or more pushed, I like to retain the modernity and character of the woman in my work, because I want to be able to relate to the person I portray.’ ELLE meets Lucia as her radical new Chanel Ombre Première eye collection launches.

WOMEN ARE OBSESSED with make-up; they love it so much – although there are those who are scared of wearing too much. I don’t think [make-up] is unfeminist. You don’t have to look a certain way to have a set of ideals.

SOMETIMES YOU CAN’T necessaril­y express everything with words, but it’s very obvious when you see something and you know it’s just got to be ‘that red’, for example. I’m always looking around for inspiratio­n: at fashion shoots, in magazines and at art exhibition­s. I even find things like rust very inspiring for colour and texture.

I’M FASCINATED BY WOMEN who do their make-up on the tube. But I’ve never done it myself. I might have done mine in the car when I’ve been running late, but it’s an intimate moment, one that’s nice to have to yourself.

I FEEL VERY CLOSE TO Kristen Stewart; there’s a connection between us and a respect for one other. She’s smart, very intuitive, and she’s a strong woman. When I work with her she’s there – she’s present and is always asking me how I achieve a look.

SPENDING A VERY INTENSE amount of time with someone doing their make-up, there is an instant intimacy, much more so than in normal life.

GROWING UP, I EXPLORED different looks: a shaved head, coloured hair… I had my moments. I plucked my eyebrows until there was almost nothing left – that was bad. I’m lucky they grew back!

MY PARENTS WERE SURPRISED I chose the path I did. I have three older brothers and was the first to leave Naples – I was 20, which for Italy is quite young. But I felt this need for independen­ce. I wanted to explore.

MY FIRST IMPRESSION OF LONDON was, ‘Wow! No one is looking at me.’ I went out in these crazy yellow and black trousers and I felt comfortabl­e. There’s such a strong sense of individual­ity in the city; you feel more free.

I DIDN’T GO TO ART SCHOOL. I did a make-up course, then started assisting Charlotte Tilbury. My crowd of friends – Alasdair McLellan, Angelo Pennetta, Julia Sarr-Jamois – are all quite naughty. I like personalit­y and spirit in people, and I especially like women with a good sense of humour.

I CAN PLAY THE REALLY feminine woman, but I feel quite comfortabl­e in men’s clothes, like jackets or suits. My dad was a style inspiratio­n when I was growing up in the Eighties – he always wore a suit with a polo neck.

SOMETIMES I DOUBT MYSELF – but

I think you have to. If you’re sure about everything, there is no discovery; you don’t find the next thing. Your eyes have to be wide open all the time.

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