ELLE (UK)

WHO’S musing who?

A NEW ERA OF MUSICAL MUSES, FROM MEGAN FOX TO KOURTNEY KARDASHIAN, INVITES THE QUESTION…

- Words by Randi Bergman

AS THE MODERN PHILOSOPHE­R Julia Fox once said, ‘You’re either born a muse or you’re not.’ By her own memeified suggestion, the actress has been a source of inspiratio­n to many, most notably Uncut Gems co-director Josh Safdie and her former paramour Kanye West. Say what you will about the veracity of Fox’s claim, but her allusion to this mythical role was a callback to one of history’s oldest tropes. In ancient Greece, the muses were goddesses and sources of inspiratio­n for the arts and sciences. In more recent eras, this embodiment of the divine feminine came down to earth – and started dating an artist or a musician. Think of Picasso’s lover and subject Dora Maar; Kiki de Montparnas­se, who appeared nearly nude in some of Man Ray’s surrealist photos; or the fictional Penny Lane in Almost Famous.

In this conception, the muse is, ‘this source of aesthetic creation, but she’s not actually a creator herself,’ says Laura McLaws Helms, a fashion and culture historian. That assumption has obscured her crucial role in rock’s visual mythmaking. The Penny Lane character was the embodiment of rock-star muses of the Sixties and Seventies, like Anita Pallenberg, the German-Italian model, actress and artistturn­ed-muse to the Rolling Stones. A notable ‘It Girl’ who dated both Brian Jones and Keith Richards, Pallenberg was key to developing the band’s era-defining aesthetic. ‘She totally changed the way they dressed, one member at a time,’ McLaws Helms says. She introduced them to floppy hats, slinky layers and fur-trimmed coats – and also taught Richards how to scowl as he performed wearing her boho tunics, scarves and bangles. ‘If you consider how we think about Richards, that person exists because of Pallenberg,’ she says.

Skip a generation, and Pallenberg’s clear successor was Kate Moss, already a legend when she shape-shifted into a rock ’n’ roll party girl on the arm of the Libertines frontman Pete Doherty. Her style during this time – leather, miniskirts, low-slung belts – has been trending again thanks to #rockstargi­rlfriend, a TikTok hashtag with over three million views that is populated with images of Moss and Alexa Chung.

Today’s rock-star girlfriend aesthetic is best embodied by Kourtney Kardashian and Megan Fox, both of whom underwent a shift in personal style inspired by the pop-punk look of their respective partners, Travis Barker and Machine Gun Kelly.

And while Kardashian and Fox seem more than willing to play their parts, that the tagline should refer to establishe­d women like them as mere arm candy underscore­s the power imbalance within the musician-muse relationsh­ip. ‘Today, people have their own platforms. There’s more structure for the muse to create their own identity,’ says Briana Andalore, one half of Julia Fox’s styling team, alongside Peri Rosenzweig. ‘Especially for Julia. She’s always done her own thing, and she’s going to continue to do so.’ The traditiona­l concept of inspirer and inspiree doesn’t apply, in her view. ‘I don’t know if that dynamic ever fit into this particular scenario… We were all inspiring the situation.’

A symbiotic exchange – of style, of cred – might be a better metaphor for what goes on between musician and muse. Fox offered West many things, including an entry to New York’s downtown scene. Nowadays, we’re seeing fashion inspiratio­n being more evenly distribute­d within celebrity relationsh­ips. Look no further than Rihanna and A$AP Rocky, whose shared fashion language seems mutually beneficial. Together, they continue to inspire us all.

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FROM LEFT: KATE MOSS HANGING OUT WITH PETE DOHERTY AT A PARTY; A$AP ROCKY AND RIHANNA; JULIA FOX
I’M WITH THE BAND FROM LEFT: KATE MOSS HANGING OUT WITH PETE DOHERTY AT A PARTY; A$AP ROCKY AND RIHANNA; JULIA FOX

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