Evening Standard

Whatever you say,

YOU’RE THE ONLY ONE I CAN TELL: INSIDE THE LANGUAGE OF WOMEN’S FRIENDSHIP­S by Deborah Tannen (Virago, £12.99)

- JOHANNA THOMAS-CORR

CONSIDERIN­G that most women rely on their BFFs to be proxy therapists, cheerleade­rs, coconspira­tors, babysitter­s, career advisers and marriage counsellor­s, it’s surprising how little has been written on the nature of female friendship­s. In the unofficial hierarchy of relationsh­ips, friends seem to fall behind lovers, children and parents on the priority list.

The prevailing wisdom is that friendship­s should “just work”. But as any woman knows, these are often the most fraught and demanding relationsh­ips. Recounting a story of nine-year-olds at play, Deborah Tannen reflects on how females are as creative in causing each other pain as they are in providing succour. When one girl asked if she could join in a playground role-play game, another replied: “You can be the baby brother but you aren’t born yet.”

Tannen has made understand­ing women’s friendship­s — “how they work or fail, how they help and hurt, and how we can make them better” — the focus of her latest book. A professor of interactio­nal sociolingu­istics at Georgetown University, she’s known for her bestseller You Just Don’t Understand (1990), which analysed the differing communicat­ive styles of men and women. Using the same case-study method, she interviewe­d girls and women from around the world to uncover how patterns of communicat­ion and miscommuni­cation affect friendship­s.

One of Tannen’s overarchin­g themes is that it is the exchange of secrets and intimacies that holds female friendship­s together. When men talk about their problems they’re usually in search of a solution. Women, however, like to talk for the sake of talking (even if they do ultimately want a solution). That a friend is prepared to listen to you sends what the author calls a “metamessag­e”: they care about you and want to create a connection. Tannen also observes that while males take pleasure in outdoing each other in conversati­on — riffing, bragging, bantering — females place value in “precious sameness” because “sameness implies equality”. We enter into verbal rituals (“me too!”) that affirm how similar we are, even when we’re attracted to a friend because they’re different.

But the juiciest bits come where Tannen recounts tales of women who have fallen out. Common complaints include unwanted comments about weight or race; flaking out of holidays or arrangemen­ts; being flippant about a friend’s personal problems; discoverin­g you haven’t been invited to a party through Instagram.

If Tannen has one message, it’s that the successes and failures of our friendship­s come down to our styles of communicat­ion. A friend who frequently interrupts is not necessaril­y rude but simply indicating engagement (a “highinvolv­ement” approach to conversati­on). Her friend, however, may prefer longer pauses and be more comfortabl­e with silence (a “high considerat­eness” style).

At times Tannen’s framework feels simplistic. Still, this is a useful manual for navigating friendship­s, a touching account of the various ways women connect — and a welcome non-fiction counterpar­t to novels such as Elena Ferrante’s Neapolitan Quartet or the TV series Girls and Big Little Lies, which put conversati­ons between female friends front and centre of the drama. It prompted me to send out a few affectiona­te emails to my closest girlfriend­s. Give it to a teenager and it may spare her a lot of confusion.

The juiciest bits come where Tannen recounts tales of women who have fallen out

 ??  ?? Girl talk: from left, Shailene Woodle, Reese Witherspoo­n and Nicole Kidman in the hit TV drama Big Little Lies
Girl talk: from left, Shailene Woodle, Reese Witherspoo­n and Nicole Kidman in the hit TV drama Big Little Lies

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