Evening Telegraph (First Edition)

Phoenix masters his leading role

-

Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Jesse Plemons, Ambyr Childers, Laura Dern. IF ART is judged on its ability to provoke debate, then Paul Thomas Anderson makes great art. With The Master, Anderson has incurred the wrath of the Church of Scientolog­y, which has campaigned vociferous­ly against this emotionall­y wrought tale of a cult leader welcoming a new recruit into the fold. Lancaster Dodd (Hoffman) is the figurehead of a burgeoning philosophi­cal movement known as The Cause. He is delighted to welcome alcoholic war veteran Freddie Quell (Phoenix) into the fold as his “guinea pig and protege”, despite the warnings of his wife Peggy (Adams). She recognises Freddie as a damaged and emotionall­y volatile soul and tries to curb his dangerous impulses. “You cannot stay with us any more unless you quit boozing,” she decrees. However, that primal rage which percolates inside Freddie proves useful for Lancaster as he encounters resistance to his argument and even scorn from his own son (Plemons). The Master is distinguis­hed by its performanc­es. Phoenix’s unswerving commitment to his role is undeniable. At times, he drifts through scenes in a drowsy stupor, incomprehe­nsion flickering in his eyes. In other scenes, rage explodes, most notably in a police cell when he repeatedly slams his naked shoulders against the cast iron frame of a bed with enough force not just to split skin but to fracture bone as well. Hoffman is charismati­c as the leader, who may or may not hold all of the answers, shepherdin­g his flock until a non-believer dares to question his vision in front of his disciples and punctures the bubble of superiorit­y that envelops him. Adams will also be vying for Oscar considerat­ion for her steely supporting performanc­e as the power behind the throne. Anderson’s film is easy to admire for its ambition and directoria­l verve, but hard to worship for the protracted sequences of pointlessn­ess that test our patience far beyond breaking point.

FAMILY WATCH: Swearing, No Sex, Violence.

 ??  ?? EMINENT: Joaquin Phoenix in The Master.
EMINENT: Joaquin Phoenix in The Master.

Newspapers in English

Newspapers from United Kingdom