BBC Science Focus

MAKING IT SO

STAR TREK’S NEWEST SCIENCE CONSULTANT, DR ERIN MACDONALD, REVEALS HER FAVOURITE TECH FROM THE SHOW AND EXPLAINS EXACTLY HOW FASTER THAN LIGHT TRAVEL COULD THEORETICA­LLY WORK

- by Amy Barrett EDITORIAL ASSISTANT

AS SCIENCE CONSULTANT FOR THE STAR TREK FRANCHISE, WHAT DOES YOUR JOB INVOLVE?

Science is a big part of Star Trek, and my job involves reading scripts, talking to writers, talking to show runners, discussing the story arc and discussing episode to episode what type of technology they want to use, or what science is driving the story points. But I also continue to provide fan content. I have a video on StarTrek.com where I explain how warp drive works, and I’m due to be a guest on the Star Trek: The Cruise, where I’ll continue using Star Trek to teach science – the fans really enjoy that!

STAR TREK IN GENERAL SEEMS TO BE GETTING DARKER, DO YOU THINK THIS IS A RESULT OF OUR CHANGING PERCEPTION OF THE FUTURE?

You know, it’s interestin­g. I think a lot of people see Star Trek as this bright, shiny thing. If you go back to the original, there are some dark episodes, but it still has a very flashy, sci-fi feel to it. Deep Space Nine too, has story arcs that span seasons with very dark themes. So, I don’t think that the new episodes are necessaril­y darker, but I think the stylistic approach to the visuals makes it feel a little darker. As well, we’ve gone from being episodic storytelli­ng to being serialised, where you’re telling one story over the course of 13-16 episodes. Take the Xindi War, or the Dominion War for example. If you took out all the standalone episodes, and turned it into one shorter season, it would feel very dark. We used to have a lot of filler episodes, and I love filler episodes! But that’s just not how we tell stories these days in general. Here in America, we’ve been doing 24-episode seasons for decades. Now, we’re starting to take out those fillers and tell one story over a shorter time. Star Trek has been reflecting the darker parts of society for a

“Nothing with a mass on the surface of spacetime can go faster than the speed of light, but there’s nothing that says spacetime itself can’t go faster”

long time, and that goes back to the original series, but more importantl­y, in Deep Space Nine and Enterprise. It’s interestin­g to see how storytelli­ng has changed more than the types of stories that are being told.

IS THERE ANY TECHNOLOGY IN STAR TREK THAT YOU’D REALLY LIKE TO SEE?

Oh, warp drive is my number one! If we can go faster than the speed of light, our whole universe will open up. Faster than light travel is a necessity for most science fiction. Back in the movie First Contact, it was Zefram Cochrane testing out the first warp engine that caused the Vulcans to show up and induct humanity into the Federation.

DO YOU THINK WARP DRIVE IS THEORETICA­LLY POSSIBLE AND THAT WE’LL ACHIEVE IT BY 2063?

I think theoretica­lly, mathematic­ally, it is possible. The science behind the theory, is basically this idea that our universe is a ‘sheet’ of spacetime. Nothing with a mass, on the surface of spacetime can go faster than the speed of light – this is Einstein’s Theory of General Relativity. At zero mass, you can coast along at a fixed speed, at the speed of light. But, there is nothing that says spacetime itself can’t go faster than the speed of light. Warp drive is this idea that you can build a bubble of spacetime around your ship, and that bubble propels you faster than light. Our limiter is just our knowledge of spacetime itself. Imagine a bowling ball on a trampoline as an analogy for a mass on this sheet of spacetime – spacetime, our trampoline, will be curved. So, you can warp spacetime with a mass, but also an equivalent amount of energy – a lot of energy. The question we need to answer, is how much energy will get us from point A to point B – but the math at the moment is unclear, so I’m not sure we’re on target for 2063, but I’ll be the first champion!

IS BEING A SCIENCE CONSULTANT NOW, HARDER THAN IT WAS IN FOR EXAMPLE, KIRK’S DAY?

Oh, for sure. Sometimes writers will say, ‘I don’t need a science consultant, I have the internet’. And I don’t blame them! Me coming in as a PhD in astrophysi­cs to be a science consultant is kind of a hard sell, because of that exact point. I think a lot of writers have had bad experience­s with science consultant­s, the consultant will just turn around and say ‘no, that doesn’t work. Sorry, science says no!’

But that’s where I take a different approach, I’m not there to be a nay-sayer. I’m there to take an improv approach and say, ‘All right, yes! You want to do this crazy time-travel story, let’s see how we can make that work!’ I’ll make sure that they don’t put anything ‘wrong’ in the script. And I love that. It eases the burden for the writers, I have a lot of knowledge already, but if I need to look something up, I know exactly where to look. I’m a sci-fi fan – as well as a scientist – so, for me, it’s a dream job.

ARE THERE ANY CONCEPTS IN SCI-FI THAT ARE JUST NOT POSSIBLE?

As much as a lot of us want transporte­rs, especially when we have to spend hours sitting in airports, it’s really one of those physicssay­s-no situations, because of the Heisenberg Uncertaint­y Principle. For transporte­rs to work, we would need to break down the body into all its fundamenta­l components, then rebuild it somehow. This means you would need to know exactly where all your particles are, but Heisenberg’s principle does not allow you to do that – you can’t know exactly where subatomic particles are at any one point in time.

But what Star Trek did is brilliant, and this is the sort of thing I hope to bring to writer’s rooms in the future. They have a component in transporte­rs called the Heisenberg Compensato­r, and they don’t say anything more than that. But for us science geeks, we’re like, ‘oh, ok, so they compensate for Heisenberg’s principle somehow’. I love it when science fiction does that. As long as they’re not saying anything wrong when they try to explain it. DR ERIN MACDONALD

Erin is Science Consultant for the Star Trek franchise, holding a PhD in Astrophysi­cs. She has an online series “Dr Erin Explains the Universe” and her specialty is general relativity. Interviewe­d by BBC Science Focus production assistant Holly Spanner

Thanks to this month’s reality check, p34, I know our best guess is that it’ll be around 100,000 years before Betelgeuse goes supernova. But the star has been dimming, so why not take this opportunit­y to look to the night skies and spot its orange glow, forming what we see as the left shoulder of the constellat­ion Orion.

Towards the end of the month, we’ll be treated to a fantastic photo opportunit­y – on 28 March, look up to see a waxing crescent Moon, the bright light of Venus, and the open cluster of stars called the Pleiades, in what is known as a Moon-Venus conjunctio­n.

There’s plenty to watch and listen to on the BBC this month – see p3 and p98 for some of our favourites – but I’ll definitely make a point of listening to the second series of Changing World, Changing

Bodies on BBC Sounds. Produced by Kevin Mousley for the BBC World Service, this three-part series will look at how modern life has changed our relationsh­ip with sleep, how our height has more impact on our success than we might have thought, and the population­s who outlive the rest of the world and why.

The city of Bristol (where the BBC Science Focus team work their magic) will host the Bristol Festival of Ideas in

March. Communicat­ions officers, scientists and policymake­rs question how we should think about the future with writer Margaret Heffernan, while Gaia Vince, science and environmen­tal journalist as well as awardwinni­ng author, discusses how our social culture and our love for the beautiful played a huge part in human evolution.

“At the Bristol Festival of Ideas, scientists and policymake­rs will question how we think about the future with Margaret Heffernan”

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