Fortean Times

Aquarius: Season 1

- David Sutton

Created by John McNamara, US 2015

ITV Studios Home Entertainm­ent, £19.99 DVD, £29.99 (Blu-ray)

There’s a definite appeal to this piece of self-described TV ‘historical fiction’: take a typical police procedural, lavish on it a Mad Men- esque fetish for 1960s period detail, and set it in 1967’s so-called ‘Summer of Love’, when San Francisco’s HaightAshb­ury was awash with flower children, LA was still twitchy from the Watts race riots and a young Charlie Manson, fresh out of prison and gatecrashi­ng the hippy party, was collecting naïve young girls for his budding ‘Family’ in Topanga Canyon. Into this volatile social milieu Aquarius introduces its fictional characters: old school Hollywood homicide detective Samson Hodiak (an amiable David Duchovny) and his young partner, undercover narcotics officer Brian Shafe (Grey Damon), searching for a missing teenage girl who, they discover, has joined Manson’s ragtag commune. The runaway is the daughter of Hodiak’s old flame Grace (Michaela McManus), over whose lawyer husband Manson (Gethin Anthony, who gets away from the usual swivel-eyed lunacy but is maybe a bit too nice) seems to have some mysterious hold.

The continuing arc concerning the formation of the Family and Manson’s role as narcissist­ic hippy Messiah runs in tandem with more typical cop show storylines, some more effective than others, tackling the Black Panthers, drugs, institutio­nal sexism (shades of Agent Carter) and anti-Vietnam protestors. Much of this is quite compelling and entertaini­ng, and the series’s unstated but omnipresen­t theme of generation­al conflict – the breakdown of the old family and the emergence of a new one – gives it a weightier underpinni­ng than most cop shows. Whenever it does veer into genre cliché, the multiple plotlines and large cast usually get it back on track. It will take at least another couple of seasons to move things along to the inevitable, bloody end of the hippy dream with the Tate-La Bianca slayings; seeing how the show decides to get there should be interestin­g.

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