Fortean Times

SOUNDS PECULIAR A

BRIAN J ROBB PRESENTS THE FORTEAN TIMES PODCAST COLUMN

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s a medium, podcasts have been enjoying something of a boom over the past few years. The democratis­ation of quality media production through high-specificat­ion computer equipment has allowed a plethora of previously marginalis­ed voices their own access to what were once quaintly called ‘the airwaves’.

In the past, broadcasti­ng (reaching a wide audience from a single source) was heavily regulated and controlled, mainly through frequency scarcity: only those authorised or licensed to have access to the airwaves were allowed to broadcast. In UK terms that, initially, meant the BBC, with commercial stations coming along in the 1960s.

In terms of radio, there have been amateurs since the invention of the medium, reaching a crescendo with the offshore ‘pirate’ pop stations of the 1960s that ultimately led to the BBC launching Radio 1. For the longest time, Radio 4 (or NPR in the US) has been the default home of quality ‘spoken word’ content, whether that was drama, current affairs, or documentar­y radio.

Now, anyone with a microphone and an iPad, laptop, or computer and the right software can produce a decent podcast and launch their work onto a waiting world. Not all of them are good, while many are far better than you might expect, sometimes surpassing the production­s of ‘legitimate’ broadcaste­rs like the BBC or NPR. When it comes to fortean topics, there are a host of podcasts out there, ranging from the polished and compelling to the amateurish and downright weird. SOUNDS PECULIAR is your insider guide to the best of the current podcasts dealing with fortean topics: all you have to do is sit back and listen...

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