Fortean Times

THE CURIOUS CASE OF THE GRATEFUL DEAD AND THE DEAD PTERODACTY­L

KARL SHUKER investigat­es a mystery involving a seminal album and a thunderbir­d photo

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One of the most tantalisin­g fortean mysteries is that of the missing thunderbir­d photograph – an elusive early picture supposedly snapped during the mid-1800s and depicting either a very large dead bird or a very large dead modern-day pterodacty­l pinned with wings outstretch­ed onto a barn with American Civil War soldiers posing in front of it, yet which despite having been reputedly seen by numerous people since then in various books or magazines cannot be traced anywhere. But what if this photo had appeared not in any publicatio­n but on the cover of a record album instead? This was the novel, hitherto-unconsider­ed prospect that I recently investigat­ed, as exclusivel­y revealed here.

It all began on 14 October 2020 when I received a message posted by Facebook follower Ari Sarkar on my FB ‘fan’ page that included the following fascinatin­g statement: “The Workingman’s Dead Sessions album by the Grateful Dead has the band posing with a dead pterodacty­l. They are dressed in Civil-War era uniforms and the photo is suitably aged. It’s completely bizarre!”

Wow! It was some hours before I logged onto FB and saw Ari’s message, and although I replied straight away with a request for more informatio­n, no response came back. Despite not being a Dead Head (i.e. a dedicated Grateful Dead fan), I was familiar with their famous Workingman’s Dead album, released in June 1970, and I knew that its cover simply contained a photograph of the band’s members wearing factory attire and gathered outside a building in a San Francisco street, with any pterodacty­l conspicuou­s only by its absence, as duly confirmed when I checked it online.

I also accessed what must surely be the most detailed online history behind the creation of that album cover photograph (written and posted by Bob Egan on his PopSpots website), but again, no pterodacty­l was mentioned (although I did discover that an early, pre-finalised version of the photo actually contained a giant star-nosed mole, but this unexpected feature was deleted before the final photo was produced).

Nor could I find anywhere online any Grateful Dead album cover that depicted a dead pterodacty­l, or any mention of a ‘Workingman’s Dead Sessions’ album.

True, an official release of some of the Workingman’s Dead sessions came out in July 2020 to celebrate the album’s 50th anniversar­y – but this is an online-only release, subtitled “The Angel’s Share”, and has no photo on its ‘cover’ at all. As far as I could determine, therefore, if the enigmatic pterodacty­l-portrayed Grateful Dead Sessions album did exist, it was evidently not an official album, and might instead be an unofficial bootleg. Pursuing that possibilit­y, however, I swiftly discovered that it was not included on a list of Grateful Dead bootleg albums on the website Bootlegped­ia, nor on an even more comprehens­ive bootleg listing on Discogs. So perhaps it was of exceedingl­y limited availabili­ty – or could it even be just a non-existent spoof? That is, merely a hoax album cover photograph created and posted online by someone as a joke.

On 15 October, I received a reply from Ari, who sent me a scan of its front cover, so that at last I could see it for myself. Amusingly, the picture used for it proved to be none other than the famous PTP (Pterosaur Photo) Civil War pterodacty­lian thunderbir­d photo (and

therefore did not feature the Grateful Dead band members at all). This image had been created specifical­ly by a VFX company hired by the production design teamat the American TV show FreakyLink­s (produced by Haxan Films) to appear (as indeed it did) in the show’s fourth episode, entitled ‘Coelacanth This!’ and first screened on 27 October 2000. The PTP photo should not be (but very often is) confused with an earlier, visually inferior Civil War pterodacty­lian thunderbir­d photo, featuring different actors as the Civil War soldiers plus a different pterodacty­l, in the form of a physical model. This latter photo had also been created for FreakyLink­s, but was used by them solely for advance publicity purposes, being included in their FreakyLink­s website (which had been launched two years prior to the show’s actual screening in order to promote it), but not actually appearing in the show itself. The pterodacty­l model from that publicity photo is now housed at Loren Coleman’s cryptozool­ogy museum in Maine, USA.

The reason why two different Civil War pterodacty­l photos associated with FreakyLink­s exist is that the advancepub­licity photo was created first, but seemingly there was subsequent­ly a problem in obtaining talent releases for the actors featured in this photo, which would be needed if it were indeed to be shown in the episode. Also, the show’s production designer apparently didn’t think that the advance-publicity pterodacty­l was very impressive. So Haxan hired the visual-effects company E=MC2 Digital to create a second, better Civil War pterodacty­l photo (which would then be shown in the episode), and signed up new actors to appear in it, yielding the PTP photo (the pterodacty­l in it reputedly being a digitally-added image this time, rather than a physical model). So, to reiterate the key fact here: it was the PTP photo that was used in the actual episode, not the publicity photo. Brian Dunning revealed all of this and more concerning the two different photos

An early version of the photo actually contained a giant star-nosed mole

in a fascinatin­g Skeptoid podcast of 9 January 2018.

On 17 October, I received another reply from Ari, stating: “I downloaded the album about 10 years ago from a (now defunct) bootleg site on blogspot. There was no other artwork apart from this cover and not even a back cover.” So now we know – it was indeed a bootleg, and conceivabl­y available in download format only. This would explain its absence from listings of physical bootleg albums.

The curious case of the Grateful Dead and the Dead Pterodacty­l is duly solved, inasmuch as it certainly has nothing to do with the original missing thunderbir­d photograph from the 1800s after all. Conversely, if the missing thunderbir­d photo genuinely exists, it remains just as tenaciousl­y elusive as ever.

My sincere thanks to Ari Arkar for kindly bringing all this to my attention.

Ari Sarkar, pers. comm., 14+15+17 Oct 2020; http://paleo.cc/paluxy/livptero. htm#Ptp-photo; http://bootlegped­ia.com/ en/artist/Grateful-Dead 2019; https:// skeptoid.com/episodes/4605 9 Jan 2018; www.youtube.com/watch?v=pxtDX3ntro­Q uploaded 1 Feb 2015; www.popspotsny­c. com/workingman­s_dead/ (n.d.); www. discogs.com/label/263704-Not-On-LabelThe-Grateful-Dead (n.d.). For a detailed look at the genesis of Workingman’s Dead in a series of podcasts, visit: www.dead. net/deadcast.

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 ??  ?? TOP: The famous Civil War thunderbir­d photo created for FreakyLink­s. ABOVE: An earlier advance publicity photo also created for the programme using different actors and a physical pterodacty­l model.
TOP: The famous Civil War thunderbir­d photo created for FreakyLink­s. ABOVE: An earlier advance publicity photo also created for the programme using different actors and a physical pterodacty­l model.
 ??  ?? ABOVE LEFT: The Grateful Dead photograph­ed on a San Francisco street for the cover of 1970’s Workingman’s Dead. ABOVE RIGHT: Cover art for the unofficial release of Workingman’s Dead Sessions, using one of the FreakyLink­s pterodacty­l photos. BELOW: A 1970 pubicity shot of the band.
ABOVE LEFT: The Grateful Dead photograph­ed on a San Francisco street for the cover of 1970’s Workingman’s Dead. ABOVE RIGHT: Cover art for the unofficial release of Workingman’s Dead Sessions, using one of the FreakyLink­s pterodacty­l photos. BELOW: A 1970 pubicity shot of the band.
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