Garden Answers (UK)

Shape

Contrastin­g flower and foliage forms is a clever way to bring a monochroma­tic border to life

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Playing with plant shapes is hugely rewarding. Too many rounded flower forms of similar size can look a bit samey, but getting the balance right isn’t easy. Again – flower colour always seems to seize the attention, but if you can deliberate­ly limit the colour in order to contrast shapes instead, you can create a much more pleasing result. Think of the way that monochroma­tic Japanese gardens keep the eye excited, using ovate, palmate, linear, ferny, feathery, mossy, strappy and heart-shaped leaves in every size and shade of green. Such designs always have a calm and sophistica­ted look. Working with a limited palette like this is an excellent way to highlight the variety in flowers too. Take a step back to analyse your garden and you may discover you have a favourite flower type – perhaps showy double blooms or little cups and bells. Finding and planting the opposite shape might be just the thing your borders need to help create a better sense of balance.

 ??  ?? FAT & THIN The fancy scalloped foliage of heuchera ‘Beauty Colour’ contrasts with the skinny, grass-like leaves of black ophiopogon, spiky blue salvia ‘Mainacht’ and arching Stipa tenuissima White spikes of veronicast­rum ‘Lavendeltu­rm’ with white...
FAT & THIN The fancy scalloped foliage of heuchera ‘Beauty Colour’ contrasts with the skinny, grass-like leaves of black ophiopogon, spiky blue salvia ‘Mainacht’ and arching Stipa tenuissima White spikes of veronicast­rum ‘Lavendeltu­rm’ with white...
 ??  ?? SPHERES & BEARDS Repeated use of ball shapes (from the box topiary and drifts of alliums) creates a sense of cohesion against which other flower and foliage shapes stand out – including the bearded iris ‘Royal Storm’
SPHERES & BEARDS Repeated use of ball shapes (from the box topiary and drifts of alliums) creates a sense of cohesion against which other flower and foliage shapes stand out – including the bearded iris ‘Royal Storm’
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