Gardens Illustrated Magazine

Tropical taste

In a garden on the US West Coast, designer Sean Hogan has created a strong framework of tropical plants that offer plenty of scope for absorbing its plantaholi­c owner’s impulse buys

- WORDS NOEL KINGSBURY PHOTOGRAPH­S CLAIRE TAKACS

In the garden of an American plant lover, designer Sean Hogan has created a strong framework using an eclectic mix of tropical plants

Bringing sense, order and coherence to the gardens of those who love to collect plants can be a challenge. But that’s exactly what designer Sean Hogan has been able to do in the garden of plant fanatic John Kuzma in Portland,

Do we want an in brief box??

Oregon. “It’s nice to have a way of organising things, so it doesn’t seem as if our plant obsessions are haphazard,” says Sean, “Our job is to create spaces we want to be in.”

In John’s garden Sean’s answer has been to focus on evergreen woody plants that are largely native to America’s West Coast and that tend to have evergreen grey foliage. Among those he’s used are several Arbutus species as a running theme through the garden, along with a number of blue cypresses.

This blue-grey theme is most strongly developed in the garden at the front of the house, which Sean describes

as Mediterran­ean. Here Sean has used plants that can survive without water in the summer, and in keeping with John’s love of blue and silver foliage has chosen lots of different evergreen oaks, garryas and manzanitas along with some rosettes, such as agaves and beschorner­ias, as focal points.

At the rear of the house the emphasis is on plants, such as phlomis, grasses, kangeroo paws ( Anigozanth­os species) and caesalpini­as, which look good when backlit by the low evening sun. “The majority of us spend most time in our gardens after work,” says Sean. “That generally means evenings, which is another reason to use what

I call ‘afterglow’ colours – silvers, whites and blues.”

These colours also work well with the contrastin­g mahogany bark of Arbutus and Arctostaph­ylos species, which picks up the accents of the wood in John’s house.

Sean also runs the Portland-based nursery Cistus and John gave him a free hand with the planting. Where John has added plants of his own selection since, he’s been careful to follow Sean’s newly establishe­d themes. “I was very happy to build up a collection of local oak species,” says John. “Another plant Sean has used throughout the garden is Rhodocoma capensis, which I love, although it can get damaged by freezing rain.” John also likes plants that f lower all summer long, especially those that attract hummingbir­ds, such as salvias. Luckily, these smaller-growing plants are ones that can easily be fitted in among the larger elements of Sean’s design.

One of John’s particular interests is in collecting Passiflora species, and Sean has been able to incorporat­e John’s collection into the scheme, by letting them climb up the metal screening he has used to create one of a series of divisions in the garden. Sean has also run a simple steel cable across the top of the garage, along which an evergreen climber, Clematis fasciculif­lora, forms a green ledge over the garage, softening the hard lines of the building.

At the rear of the house the emphasis is on plants, such as phlomis, grasses, kangeroo paws and caesalpini­as, which look good when backlit by the low evening sun

 ??  ?? Clockwise from top left In the Crevice Garden Sean used vertically positioned stones and a gritty soil to allow for maximum drainage. Rosettes of Nolina nelsonii and Agave ovatifolia are among the architectu­ral plants that form a repeating element in the garden. In the foreground the orange-flowered horned poppy Glaucium flavum f. fulvum adds colour.
Marking a change of level in the rear garden, this bed is dominated by the white bark and silver-blue foliage of an Eucalyptus pauciflora subsp. niphophila, while the broad leaves of Phormium tenax ‘Striatum’ stand out to the right. The dark-leaved climber Trachelosp­ermum asiaticum ‘Theta’ helps to soften the top of the retaining wall, and the black mondo grass, Ophiopogon planiscapu­s ‘Kokuryu’, adds contrast at the base.
In planting along the front of the house the rosette Agave ovatifolia ‘Frosty Blue’ forms a stunning centrepiec­e. To its left is the South African silver tree Leucadendr­on argenteum and on its right Chamaerops humilis var. argentea and the Chilean wine palm Jubaea chilensis.
Sean has framed the entrance to the house with two small trees native to this area: Arctostaph­ylos manzanita on the left and the blue-green
A. viscida on the right. Two red salvias – S. ‘Vermillion Bluffs’ and
S. darcyi x microphyll­a ‘Windwalker’ – help to attract hummingbir­ds.
Clockwise from top left In the Crevice Garden Sean used vertically positioned stones and a gritty soil to allow for maximum drainage. Rosettes of Nolina nelsonii and Agave ovatifolia are among the architectu­ral plants that form a repeating element in the garden. In the foreground the orange-flowered horned poppy Glaucium flavum f. fulvum adds colour. Marking a change of level in the rear garden, this bed is dominated by the white bark and silver-blue foliage of an Eucalyptus pauciflora subsp. niphophila, while the broad leaves of Phormium tenax ‘Striatum’ stand out to the right. The dark-leaved climber Trachelosp­ermum asiaticum ‘Theta’ helps to soften the top of the retaining wall, and the black mondo grass, Ophiopogon planiscapu­s ‘Kokuryu’, adds contrast at the base. In planting along the front of the house the rosette Agave ovatifolia ‘Frosty Blue’ forms a stunning centrepiec­e. To its left is the South African silver tree Leucadendr­on argenteum and on its right Chamaerops humilis var. argentea and the Chilean wine palm Jubaea chilensis. Sean has framed the entrance to the house with two small trees native to this area: Arctostaph­ylos manzanita on the left and the blue-green A. viscida on the right. Two red salvias – S. ‘Vermillion Bluffs’ and S. darcyi x microphyll­a ‘Windwalker’ – help to attract hummingbir­ds.
 ??  ?? At the rear of the house, the tall palm Trachycarp­us wagnerianu­s and banana plant Musa sikkimensi­s provide a striking backdrop for a diverse range of plants that includes several cultivars of Anigozanth­os flavidus, the yellow and orange flowerhead­s of which merge with the distinctiv­e pale-yellow flowers of Erythroste­mon gilliesii in the centre. Behind this the restio, Rhodocoma capensis, which has become a firm favourite of John’s, stretches its raggedy, dark-green stems towards contrastin­g blue-green spikes of Yucca schottii in the foreground.
At the rear of the house, the tall palm Trachycarp­us wagnerianu­s and banana plant Musa sikkimensi­s provide a striking backdrop for a diverse range of plants that includes several cultivars of Anigozanth­os flavidus, the yellow and orange flowerhead­s of which merge with the distinctiv­e pale-yellow flowers of Erythroste­mon gilliesii in the centre. Behind this the restio, Rhodocoma capensis, which has become a firm favourite of John’s, stretches its raggedy, dark-green stems towards contrastin­g blue-green spikes of Yucca schottii in the foreground.

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