Gardens Illustrated Magazine

Making a mark

At the heart of a striking heritage landscape in Essex lies an enviable collection of trees thrown into sharp relief by a contempora­ry, lakeside garden

- WORDS JODIE JONES PHOTOGRAPH­S MARIANNE MAJERUS

At the heart of a striking heritage landscape in Essex lies an enviable collection of trees thrown into sharp relief by a contempora­ry, lakeside garden

The Essex estate of Marks Hall has been shaped by remarkably few families since the name of Mercheshal­le was registered in the Domesday book nearly one thousand years ago. The Merkshalls moved in shortly after the Norman Conquest and stayed until 1562 and the Honywoods were in charge from 1605 until 1897. The estate was then acquired by a former Liberal MP Thomas Phillips Price after an inheritanc­e dispute triggered an auction. Phillips Price was enthralled by the fine collection of rare and venerable trees on his land. Keen to preserve this rich botanical heritage, he determined to bequeath Marks Hall to the nation, and would surely be delighted to see that today the estate is enjoyed by thousands of visitors who come to explore its magnificen­t arboretum, contempora­ry walled garden and miles of woodland walks. But the picture hasn’t always been so rosy. Phillips Price died in 1932, leaving his wife a lifetime interest in the property, but she survived him by over 30 years, during which time the estate fell into disrepair. Much of the land was leased to the Forestry Commission, which covered it in commercial pine plantation­s, and when a charitable trust was finally establishe­d to run the estate in 1971 it was a relic of its former self.

The trustees’ first act was to buy back the lease from the Forestry Commission and draft a plan to create an arboretum of botanical significan­ce. Then it was just a question of waiting for the pines to mature. As each plantation was felled, the land was cleared and brought back into the management of the Marks Hall Trust.

Ian Chandler, who is now the arboretum manager, came to Marks Hall in 1998, just as the pace of change was starting to accelerate. The arboretum had been organised into geographic zones, with a programme of planting on a generous scale that today forms an impressive display. Visitors first walk through a grove of willows into an area representi­ng Europe, which is designed to blend with the surroundin­g countrysid­e. From there a broad gravel path leads into Asia, North America and the southern hemisphere.

Marks Hall has many trees of internatio­nal importance. These include a Parrotia persica grown from wild-collected seed, and therefore geneticall­y valuable, which Ian has managed to propagate on the estate, and an Abies numidica that is on a critically endangered list in southeast Algeria where it grows in the wild. He also intends to try Meliosma veitchioru­m – grown from a root cutting from renowned plant hunter EH Wilson’s original wild collection in western China at the end of the 19th century – although seed from its long purple pods can take up to two years to germinate. “One thing we are not short of is space,” says Ian. Ten more acres of former forestry land are currently being cleared by a team of volunteers and Ian is dreaming of a new ginkgo forest. “We are always planning for the future.”

In 1998, Brita von Schoenaich was commission­ed to create a contempora­ry design for a three-acre, lakeside garden to complement and contrast with the wider estate. Her design of five interlinke­d gardens, connected by land-form shapes and sinuous hedges and walls, caused quite a stir when it was unveiled in 2003. Planted with bold

blocks of ornamental grasses, long-flowering perennials and a symbolic ‘pool’ lined with slivers of slate set end on end, it soon became one of the best-loved parts of the estate. In fact, it is now known as the Honeypot for its capacity to lure visitors in, although at this time of year its gates are firmly shut for the winter.

Right now, the stand-out feature is two acres of former scrub designed to peak during the quieter months of winter. It lies within the Asian section and, 19 years after planting, its semi-mature stands of Betula utilis var. jacquemont­ii and Cornus alba ‘Sibirica’ create a magnificen­t effect on a frosty morning, when the white trunks and blazing red stems are ref lected in the still waters of the bordering lake. The air here is filled with sweet and spicy scents from a glorious range of winter-flowering shrubs, most notably witch hazels, winterswee­t and Sarcococca hookeriana. It is an expression of Marks Hall’s aims – to celebrate trees, to promote excellence in horticultu­re, and to offer a magical space that can be enjoyed at any time of year.

USEFUL INFORMATIO­N

Address Marks Hall Estate, Coggeshall, Essex CO6 1TG. Tel 01376 563796. Website markshall.org.uk Open Friday, Saturday and Sunday, 10am-4pm, until 31 March 2020. Check website for opening times over the Christmas period and for summer opening times.

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 ??  ?? IN BRIEF Name Marks Hall. What Arboretum and walled garden. Where Coggeshall, Essex. Size The garden comprises three acres of the 2,200-acre estate. Soil Essex clay. Climate Warm temperate, with mild winters and dry summers. Hardiness zone USDA 9.
The walled garden, designed by Brita von Schoenaich, has matured over the past 15 years, with wavy hedges of close-clipped Choisya ternata, clumps of upright Calamagros­tis, arching Miscanthus, and frost-covered Salvia officinali­s and Teucrium fruticans.
IN BRIEF Name Marks Hall. What Arboretum and walled garden. Where Coggeshall, Essex. Size The garden comprises three acres of the 2,200-acre estate. Soil Essex clay. Climate Warm temperate, with mild winters and dry summers. Hardiness zone USDA 9. The walled garden, designed by Brita von Schoenaich, has matured over the past 15 years, with wavy hedges of close-clipped Choisya ternata, clumps of upright Calamagros­tis, arching Miscanthus, and frost-covered Salvia officinali­s and Teucrium fruticans.
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 ??  ?? This image An undulating wall is cut into the sloping ground to increase its impact. Left Widely spaced balls of stone and clipped box continue the waving line that runs through this series of gardens, contrastin­g with a plinth of stone and clipped box, rows of close-clipped lavender, and a number of fine Amelanchie­r x grandiflor­a ‘Robin Hill’.
This image An undulating wall is cut into the sloping ground to increase its impact. Left Widely spaced balls of stone and clipped box continue the waving line that runs through this series of gardens, contrastin­g with a plinth of stone and clipped box, rows of close-clipped lavender, and a number of fine Amelanchie­r x grandiflor­a ‘Robin Hill’.
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 ??  ?? The Millennium Walk brilliantl­y showcases the seasonal impact of paletrunke­d
Betula utilis var. jacquemont­ii and fiery, red-stemmed Cornus alba ‘Sibirica’, reflected in the still waters of the lake.
The Millennium Walk brilliantl­y showcases the seasonal impact of paletrunke­d Betula utilis var. jacquemont­ii and fiery, red-stemmed Cornus alba ‘Sibirica’, reflected in the still waters of the lake.

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