Glamorgan Gazette

My Cinderella is a feminist before her time...

SINGER CAMILA CABELLO TELLS LAURA HARDING ABOUT MAKING A CINDERELLA STORY FIT FOR GENERATION Z

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CINDERELLA is a tale as classic as they come, a story we all grew up with, told countless times on screen.

But the latest version aims to do something different, using modern music, a diverse and inclusive cast led by music superstar Camila Cabello, and a new take on the story to make it feel bang up to date.

Gone is the Cinderella sitting hopelessly in the kitchen, waiting to be rescued by her prince. Instead we have a Cinderella who is an aspiring dressmaker with big dreams for her future.

And gone is the old lady fairy godmother, instead we have the Fab G, a sassy ballgown-wearing confidante, played by Pose star Billy Porter.

“I think what attracted all of us to the film is it’s just bad**s,” enthuses Camila.

“She’s a rebel dreamer and every character is different; my character is totally different – she’s kind of like a feminist before her time; the prince is different in that he is the more vulnerable one and is inspired by her. The godmother is different, everybody plays their character in a non-traditiona­l way that challenges the old fairy tale.”

Written and directed by Kay Cannon, the filmmaker behind the Pitch Perfect movies, the film includes covers of classic songs by musicians such as Madonna, Gabrielle and The White Stripes, and gives a new texture to old characters.

Cinderella’s stepmother, played by Frozen star Idina Menzel, 50, is no longer a one-dimensiona­l villain and has her own story, as do her stepsister­s.

“I think we feel a sense of pride to be able to revisit such a classic story and give it a little update, tweak it a little bit,” says Idina, best known for voicing Elsa in the Disney juggernaut Frozen.

“I think that’s important. And maybe that’s why it’s nice to revive these stories and to see how they’re faring through the years.

“And when we need, as a society, to take a look and to readjust how these stories are being told – not just keep telling them because they’re these timeless stories.

“They’re not necessaril­y timeless, they need to listen to the challenges and struggles of people and how they feel. And so the inclusivit­y and the diversity and the unapologet­ic feminism, I think, is something that Camila and I, and everyone in the film, feel really proud to represent.

“We have to work diligently, all of us, to see things through a new lens, because our younger generation­s are doing the hard work, they’re leading us in a way we haven’t been led before, so we can’t let them down.

She continues: “People want to see themselves in these projects, in these films and these stories, the representa­tion is important. And it’s not OK for the princess to just want to be saved by the prince and go join a rich kingdom, she has desires and dreams.

“That may feel a little old fashioned right now, but if you bring it into 2021 it’s about your identity, who you want to be. Not having to apologise for anything. And I think that’s exciting.”

Cuban-born Camila, 23, whose mega hits include Havana, Never Be The Same and Senorita – her duet with boyfriend Shawn Mendes – commands a huge fan base of young people, as well as more than 55 million Instagram followers, agrees.

“I think that this generation, and young people now, are dismantlin­g so many of the systems that have existed for a long time and challengin­g them and being like, ‘Well, does this work for everybody? Is this healthy? Does this represent everybody? Does this make everybody feel validated and seen and heard?”’ she says.

“And I think that that’s what Kay did with this script. It’s like, what are the things that are joyful and great about these old fairy tales, but what are the things that are not serving women and not serving people in general? And how can we update them?”

The film boasts a cast that includes comedians Romesh Ranganatha­n, James Acaster and James Corden as the mice, Nicholas Galitzine as the prince and Ben Bailey Smith as the town crier, while the king and queen are played by Pierce Brosnan and Minnie Driver.

Kay, who was previously a producer on 30 Rock and directed the comedy Blockers, said she was determined to create a fairy tale that was as inclusive as possible, while also nodding to the old guard.

“I wanted it to feel completely multicultu­ral, and yet I wanted to feel like the kingdom was ruled by this very traditiona­l royal family, the traditiona­l king, who isn’t quite there yet, but the kingdom is actually much more progressiv­e,” the filmmaker says.

“They’re sort of waiting for this change; they’re wanting to break out, they’re on the precipice of doing something amazing, and having a lot of change, but the king and the powers that be aren’t there.”

The film was a huge undertakin­g for Camila, who makes her acting debut, and also gets to belt out timeless hits such as Material Girl and Somebody To Love.

She admits it was an “overwhelmi­ng prospect,” but one she was happy to embrace.

“I got really incredibly fortunate and stupidly lucky to be able to play Cinderella in this debut film opportunit­y.

“So obviously I just wanted to do it well, because I’m so passionate about the project and the script.

“I just really cared about it and just tried to do everything with the most heart and soul that I could – and that’s all you can really do. Everything else is out of my control.”

Cinderella is out now on Amazon Prime Video

 ??  ?? MOVING WITH
THE TIMES:
Camila Cabello thinks it’s important to re-appraise stories as attitudes change
MOVING WITH THE TIMES: Camila Cabello thinks it’s important to re-appraise stories as attitudes change
 ??  ??
 ??  ?? MODERN FAIRY TALE: Cinderella puts a fresh spin on the traditiona­l story
MODERN FAIRY TALE: Cinderella puts a fresh spin on the traditiona­l story
 ??  ?? LEADING LADIES:
Director Kay Cannon and, right, Idina Menzel
LEADING LADIES: Director Kay Cannon and, right, Idina Menzel

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