Gripping crime drama role for TV favourite Nesbitt
Le Plante on her famous detective... and podcasts
IT was Line of Duty creator Jed Mercurio who got leading man James Nesbitt involved with Bloodlands. The Northern Irish actor, 56, first met the writer – also known for Bodyguard – when he was filming BBC drama Jekyll, and has always been a fan of his work.
“When he was doing Line of Duty in Northern Ireland, I would say to him, ‘Why am I not in that?’ but he’d say, ‘We’ll find something’,” says Nesbitt, whose big break came in the nineties, with his role as Adam Williams in ITV drama Cold Feet.
“Then a couple of years ago, he showed me a script written by Chris Brandon.”
The project in question was the new BBC One thriller Bloodlands, which was filmed in and around Belfast and Strangford Lough early last year.
It’s the first drama from newly formed production company HTM Television, which is co-owned by Mercurio and Hat Trick Productions, and also Brandon’s first original drama series commission.
Produced with funding from Northern Ireland Screen, the storyline sees a car containing a possible suicide note pulled out of Strangford Lough.
Nesbitt plays DCI Tom Brannick, who quickly connects the discovery to an infamous cold case with enormous personal significance.
And so begins the detective’s dogged hunt for a legendary assassin; it’s an explosive cat-andmouse game where the stakes have never been higher…
“Tom Brannick has been a policeman for over 20 years,” Nesbitt elaborates of his character.
“He started out when it was the RUC that transformed to the PSNI and would have been there when peace came to Northern Ireland with the Good Friday Agreement.
“He’s a decent man, someone who has known real tragedy during the Troubles. When the name ‘Goliath’ comes up, an assassin possibly in the police force, we find out that one of the victims was his wife, Emma.”
Father-of-two Nesbitt continues: “Tom is devoted to his daughter, Issy, he is very protective over her. He was a well-known character because he played rugby.
“He’s quite familiar to me, because I knew a lot of police officers when I was younger and my family were in the police, and also I played rugby at school and followed rugby a lot, so it was familiar territory.
“I think as he’s coming to the end of his career, the idea of this old case rearing its head again is terrifying to him and everyone in the force – lots of suspicions, paranoia – and there’s great danger of what this means for the peace process.”
Bloodlands is far from the first time we’ve seen Nesbitt in a gripping crime drama or thriller; there’s previously been Murphy’s Law and The Missing, for example.
But what undoubtedly sets Bloodlands apart is its location.
As the actor suggests, “we’re seeing Belfast in a new context, we’re seeing a more contemporary city”.
“It is a cat-and-mouse thriller but the fact that it has the legacy of the Troubles brings an added depth to it,” he reiterates.
“It’s also a story about a father and daughter, and of loss, so there are real human stories attached to it. At its key it’s really about relationships, I think it’s something that audiences will invest in, invest in the characters.”
Watch Bloodlands on BBC One from Sunday, February 21.
LYNDA La Plante is contemplating how she would like to bring her dogged detective DCI Jane Tennison, originally played 30 years ago by Helen Mirren, back to life.
“I’ve been asked this so many times. I thought, ‘What is she doing now?’ She’s past retirement age. I’ve started a novel, but she’s retired.”
La Plante reveals Tennison may be brought out of retirement to investigate a cold case. “I’m working on it. It’s on the back burner. I’d love it for the screen. I’d love to meet Helen and say, ‘Come back now! One more time, Helen!’ But she’s so hugely successful and such a big movie star now that I don’t know if she would be interested. It would be wonderful, though.”
La Plante may be 77, but the former actress from Liverpool, creator of Prime Suspect and Widows, author of the novelisations which followed, plus a string of young Tennison books and stand-alone thrillers, shows no sign of slowing down.
The bestselling author and scriptwriter has only been out of her home in Surrey to walk the dog and do a bit of grocery shopping for most of the past year, and recently had her first Covid jab, but the solitude hasn’t stemmed her creative juices, hard-working ethos and wicked sense of humour.
She’s been positively productive during the pandemic, written two books
– Judas Horse, the second in a new series featuring hapless detective Jack Warr, and a new young Tennison novel, Unholy Murder, out in the summer
– and is about to launch the second series of her forensics podcast, Listening To The Dead (on February 24).
“I’m so used to being solitary in writing that it’s galvanised me. I’m like a lunatic. I can’t stop!” she enthuses. She’s also hoping to make a number of appearances to celebrate Prime Suspect’s 30th anniversary, pandemic allowing.
The series broke barriers on its release, as Tennison battled sexism and prejudice in a male-dominated profession, refusing to be undermined by colleagues who questioned her seniority and ability. It ran for seven series, from 1991-2006, although La Plante bowed out after series three to pursue other projects.
She recently found the original Prime Suspect script she had written, inspired by the experiences of ex-Flying Squad officer Jackie Malton. It cast Mirren as DCI Tennison, the first woman in the history of the Met to lead a murder investigation after years of being overlooked, and aired in April 1991. The novelisation followed that year and is still in print.
“I had a terrible time with her name because you are not allowed to call a TV detective by the name of somebody already in the force. I could never have called her the name of the policewomen I know. You have to find a name that is not in the ranks of the Metropolitan Police,” La Plante recalls.
“She started off as Brownlow, but there was already a Brownlow. But I always loved the poet [Alfred, Lord] Tennyson’s work – and thought, ‘Nobody’s going to be called Tennison in the Met’, and they weren’t.” She never anticipated the huge success of the series, which won a clutch of Baftas and Emmys for cast and creators.
She always had Mirren in mind for the part, she recalls. “It was quite a fight. The [TV executives] were very much bringing up names [of actors] who were completely wrong for her. I kept saying no.
“Then I was met with, ‘Well, I don’t know Helen’s work – has she done a lot of TV?’ I said, ‘No, she’s a great theatre and film actress, she’s the right age to be a DCI.’ Thirty years ago there were only three highpowered female Detective Chief Inspectors in the Met.”
La Plante parted company with the TV detective after the third series and was not impressed at the way the character turned into an alcoholic battling her demons, the older woman who had sacrificed everything for her career, struggling to solve her last case before retirement.
Today, she says: “My hope for the character was that she would become commander, which is the reason why I walked. I didn’t want her to be an alcoholic. I didn’t want her to lose her way. She’d come so far and lost so much of her love life, I didn’t want her to become an alcoholic and prove she couldn’t cope. Every woman I’d met who had reached the top coped magnificently.”
It’s no secret that over the years La Plante has conducted painstaking research into her subjects. She’s graced the tiled floors of mortuaries, witnessed numerous post-mortems and is an honorary fellow of the Forensic Science Society.
She has amazing contacts she can call on for all sorts of minute details pertaining to crime and the changes in investigative practices. “The mobile phone can lead you to
I didn’t want her to be an alcoholic
a killer, CCTV is everywhere these days – and then there are computers. And I’m so cackhanded with them! My son [she has an adopted son, Lorcan, 17] fortunately, is an IT expert.”
In 2015, La Plante brought back the detective in the first of a series of prequel novels as young Tennison, rewinding to the Seventies as the eponymous 22-year-old newbie WPC is drawn into her first murder case.
Despite falling out with ITV executives over creative differences concerning the 2017 TV adaptation, Prime Suspect 1973, which was axed after one series, La Plante has continued to pen her young Tennison novels, with Blunt Force, number six in the series, about to come out in paperback.
“I’m taking the young Tennison through the 70s when she’s just out of training school, up through the 80s and 90s to the point where she becomes DCI Jane Tennison.
“I’m able to construct her life, her disappointments, failures and dogged persistence. It’s been very informative to go back to talk to women who were officers then. Which means Prime Suspect is constantly in my brain.”
In the 30 years since she penned Prime Suspect, many things have changed. The Met, for instance, now has its first female chief, Dame Cressida Dick, who she has met.
Yet sexism hasn’t been totally eradicated, La Plante observes. While women are better represented within the Met, she says that the women officers she knows say sexism still exists, only it’s more covert.
“Sexism, as well as competitiveness [exist], but women have broken through, you can’t keep them down. It’s just that they are learning how to deal with it. Plus, in a team of officers, you daren’t have any form of discrimination or sexual harassment on show, but it is there, it’s just underneath.”
What would DCI Tennison make of the world today? “I think she’d take it in her stride,” La Plante reflects.
And then we’re back to the possibility of Mirren returning to the role that made her a household name. “I keep in touch with Helen Mirren, mostly on a congratulatory basis. She might be tempted to come back, you never know. And if it’s a good enough and strong enough storyline, maybe she would be interested.”