Harefield Gazette

Beck Theatre

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Senervatin­g, toxic, miraculous, unrequited, redemptive: love exerts an irresistib­le hold on the human heart. Greek philosophe­r Plato professed love to be a serious mental disease, while Martin Luther King Jr believed it to be the only force capable of transformi­ng an enemy into a friend.

Shakespear­e poetically described love as a smoke made with the fume of sighs and as for songwriter­s Lennon and McCartney, it is the flower you’ve got to let grow or, most simply, all you need.

For filmmaker Ira Sachs and co-writer Mauricio Zacharias, love is a long-term relationsh­ip between two gay men set against the bustling backdrop of modern-day Manhattan.

Underscore­d predominan­tly by Chopin, Love Is Strange is an elegant character study, which sketches these middle-aged soulmates with tenderness and heartbreak­ing intimacy.

Sachs’ film is illuminate­d by two exquisite performanc­es from John Lithgow and Molina as a married couple who are wary of relying on the kindness of family and friends because ‘sometimes when you live with people, you know them better than you care to’.

Familiarit­y breeds not just contempt but also disillusio­nment, suspicion and, ultimately, aching loneliness.

Ben (Lithgow) and his partner George (Molina) have spent almost four decades together.

They finally legalise their union in front of family and friends including Ben’s nephew (Darren Burrows) and wife Kate (Marisa Tomei), plus police office neighbours Ted (Cheyenne Jackson) and (Manny Perez).

Shortly after the happy day, George loses his job as a music teacher at St Grace’s Church and Catholic school in Manhattan, because Facebook pictures of the honeymoon in Petra have been brought to the attention of the

“The Bishop wasn’t happy,” explains Father (John Cullum) sympatheti­cally.

Without George’s steady income, the couple face the prospect of having to sell their highly desirable apartment. George moves in with Ted and

while Ben seeks shelter with Kate and their truculent teenage son Joey (Charlie Tahan), who is far from thrilled about sharing his bunk bed with an elderly gay uncle.

The separation causes friction between family and friends.

I know is that after 39 years it’s hard to fall asleep without you,” laments Ben to George.

Love Is Strange treats all of the flawed characters with a delicate and even hand although our hearts invariably belong to the leads.

Lithgow and Molina perform as if they have been sharing the same space for decades, trading gentle touches or longing glances as their carefully ordered world unravels.

Tomei, Jackson, Perez et al offer strong support, enriching their own dysfunctio­nal yet equally loving relationsh­ips.

Love is a drug and regardless of the withdrawal symptoms, we all want to be addicts.

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