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MOTH CANDY

- WORDS JACKY MILLS

I’m very fond of aeoniums, particular­ly these intensely dark rosettes held aloft on quirky stems. The colours blend together with the muted tones of the cast iron urn, the white daisies ageing to a soft pink as their green centres fade to yellow. They also complement the magenta buds of the night phlox, whose white-notched flowers are closed during the hottest part of the day. They will open in the evening, exuding a heady vanilla and honey fragrance to attract moths.

How to achieve the look

This late 19th-century urn was a great find at a local flea market. The long, fluted body, with its rusty patination, is quite narrow, so won’t accommodat­e plants with large rootballs.

Aeoniums are perfect specimen plants in containers and happily mix with other species that require sun and well-drained conditions. Tall plants can be vulnerable in high winds, so take cuttings when they get too leggy. Cut the stem with a sharp knife and leave the ends to dry up before potting on in gritty compost. Prevent the mahogany whorls of Aeonium ‘Zwartkop’ reverting to green in winter by supplying good light levels away from frost and reduce watering. The species A. arboreum produces compact green rosettes on branching stems that I’ve previously teamed up with white Diascia or the white Euphorbia hypericifo­lia Diamond Frost (= ‘Inneuphe’). Erigeron karvinskia­nus self-seeds easily and is lovely springing up among paving. Seed can be sown directly on to compost indoors from early February or outside from April to July. The night phlox is a South African native, requiring full sun and sharply drained soil. Cut back hard after flowering to encourage repeat blooms. The annual form, Zaluziansk­ya capensis ‘Midnight Candy’, can be sown in spring. There’s also a perennial species, Z. ovata.

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