Homes & Antiques

BY APPOINTMEN­T

A fth of all LAPADA dealers are now open by appointmen­t only – we nd out why

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We’ve all been there. We like the look of an antiques shop or an antique for sale, but on further investigat­ion find that the dealer operates ‘By appointmen­t only’. What do you do? Phone the number and book a slot to view? Or decide you weren’t that keen on it anyway?

Many of us may veer towards the latter, a little too daunted to pick up the phone and book an appointmen­t to visit a showroom or view an object. We decide it’s only for the super-rich or serious collectors. But as more antiques dealers choose to trade this way, running their businesses from their homes, industrial units, barns, antiques centres and o ces around the country, perhaps it’s time to embrace this method of shopping.

There are many di erent reasons why an antiques dealer might not have a traditiona­l shopfront and convention­al opening hours. Some have traded this way for decades, but the industry is seeing more shop owners closing their premises and joining them. A fifth of LAPADA (The Associatio­n of Art & Antiques Dealers) members are now appointmen­t only. Why?

‘ The internet has made this method of trading more appealing to dealers, who can now promote themselves internatio­nally,’ says Rebecca Davies, chief executive of LAPADA. ‘They find it more convenient to operate this way. Many of our members, who became dealers through passion for their subject, have limited sta and need to travel to source antiques, as well as concern themselves with selling them. Others regularly attend fairs around the country and abroad, and so a gallery or shop would often be left unattended.’

It’s an interestin­g way for an antiques lover to shop, too, says Davies: ‘ I always find LAPADA dealers are happy to share their knowledge – and perhaps anecdotes – as you browse their finds. Viewing by appointmen­t is both a novelty and a personal experience. You will have the dealer’s full attention, should you wish.’

For Holly Johnson, who runs her eponymous antiques business on the edge of Macclesfie­ld in Cheshire, operating by appointmen­t only gives her greater flexibilit­y. ‘ It allows me to visit clients and restorers, and I have more time to travel to find better pieces,’ she says. ‘ I also have three children, so this means I can balance family and work, and undertake other projects such as property developmen­t and interior design.’

It’s a win-win situation for both Johnson and her clients, as she says she can fit in with buyers’ schedules and devote her full attention to a client, most of whom are enquiring about a piece they’ve seen on her website. ABOVE Having owned an antiques shop in Brighton for six years, Alex MacArthur moved into a 14th- century monastery in nearby Rye. Here, customers can see how a piece works within a room, and buy something Alex loves enough to live with herself FACING PAGE CLOCKWISE FROM RIGHT Early 19th- century comb- back Windsor chair, £ 4,800; mid 18thcentur­y Delft charger plate, £ 650, both Robert Hirschhorn; large 19th- century Italian giltwood cushion mirror, £ 3,200, LVS Decorative Arts

‘ Today, websites and social media act as our shop windows,’ says Alex MacArthur, whose former home in Brighton doubled as a showroom for several years before she moved down the road to Rye to run a similar enterprise in a Grade I-listed, 14thcentur­y monastery. ‘ The internet gives us a presence, so we no longer need shops. I’ve met people from Japan who saw me on Instagram.’

With its series of beautifull­y curated showrooms, MacArthur’s capacious monastery is very much a destinatio­n store and perfectly suited to private appointmen­ts where one can pore over her intriguing finds alone. ‘ I give clients a co ee or, if it’s later in the day, a glass of bubbly,’ she says. ‘ There’s something quite nice about not being too convenient. People almost see you as a private club.’

You might think that people who make a business from the past will be less keen to embrace modern technology, but antiques dealers are savvy when it comes to marketing their stock online and adapting to the way people shop. Some virtual boutiques are so well designed that they are almost as enjoyable to browse as their real-life counterpar­ts. Good photograph­y (and favourable returns policies) means buyers part with their cash without seeing the piece in person. But if you do want to view an item, it helps that most prices are listed online, so you don’t have to endure the awkwardnes­s of asking how much.

Antiques dealer and television presenter Drew Pritchard has recently moved to a new warehouse in Llandudno, north Wales, and operates by appointmen­t only because he finds that most of his sales are online. ‘ It benefits the client, as I can open earlier or later than usual if I know someone is coming, particular­ly over a weekend or a bank holiday,’ he says. ‘ We give the customer time to view and handle the item without any distractio­ns.’

For buyers who’ve never shopped this way before, Pritchard says it’s helpful if potential customers outline what they’re looking for, in case he has stock that is not listed on his website. He, along with many dealers, is also happy for buyers to make o ers on pieces, and stresses that there is no obligation to spend money. One thing he asks is that enquirers give plenty of notice before an appointmen­t.

But before you pick up the phone, you may still hesitate. Do you need a sizeable bank account for this kind of antiques shopping? ‘ Not necessaril­y,’ says Rebecca Davies. ‘Don’t be put o – you might miss some amazing finds.’

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 ??  ?? 19th- century, Louis XIVstyle gilt- metal chandelier, £ 4,800, LVS Decorative Arts Browse globally sourced curios by candleligh­t at Doe & Hope in Bedfordshi­re
19th- century, Louis XIVstyle gilt- metal chandelier, £ 4,800, LVS Decorative Arts Browse globally sourced curios by candleligh­t at Doe & Hope in Bedfordshi­re
 ??  ?? MacArthur’s Grade- I listed monastery is a treasure trove of artefacts
MacArthur’s Grade- I listed monastery is a treasure trove of artefacts

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