Homes & Antiques

H& A LIFESTYLE Delights in store

- FEATURE MIEKE VENDEL PHOTOGRAPH­S IVAR JANSSEN STYLING WILMA CUSTERS

Antiques dealers Marly and Wiel use their beautifull­y renovated home as an opportunit­y to showcase the antiques that they sell. As a result, the elegant decor is constantly changing

Antiques dealers Marly and Wiel use their painstakin­gly renovated home as a showroom for their business, where price tags are the only constant in the ever-changing decor

It was an inauspicio­us viewing, admits antiques dealer Marly Geurts, recalling her first visit to the 19th- century farmhouse in Broekhuize­nvorst that she shares with her husband Wiel. ‘It really wasn’t love at first sight for me,’ she laughs. ‘All I could see was the huge amount of work that had to be done before you could even begin to imagine how it might look.’

Built in 1863, the house was owned by a wealthy farmer who was also the local mayor. ‘The building served as the village council house as well as his home,’ says Marly, explaining that the property was designed with reception rooms that were large enough for public events such as weddings, while on the land outside there were stables and a cowshed. ‘Most of the original details in the house had either been removed by former owners or were hidden behind unattracti­ve panelling, which seemed to be everywhere,’ she recalls. ‘It just felt the project would be too extensive for us.’

At the time, the couple were living in a small house in the nearby town of Venlo and the decision to move had been

My antiques dealing had started as a hobby alongside my full-time job… but the antiques began to take over

prompted by Marly’s increasing success as an antiques dealer. ‘It had started as a hobby alongside my full-time job in sales,’ she says, but the antiques were beginning to take over. It was time to give up the day job and concentrat­e on what she really cared about. The plan was to find a property that could serve as both their home and a base for their business, and so, despite her misgivings, Wiel persuaded Marly to return for a second viewing.

‘He convinced me the place was perfect for our plans, with room for a proper shop and showroom,’ says Marly, who, on the second visit, conceded that even in its rundown state, the building had a certain allure. ‘The location was stunning and I could see it had masses of potential.’

These pieces have a certain frivolity as well as an honesty that we both love. French antiques usually have obvious traces of usage, a natural patina

Although she was still slightly daunted by the scale of the project, Marly agreed that they should give it a go. ‘ We were young and maybe a little reckless,’ she laughs, describing how they approached the renovation by cutting the whole process into ‘smaller, doable sub-projects.’ The first of which was to turn part of the stables into a living room. This was swiftly followed by the transforma­tion of another cowshed into a large shop space.

The couple started renovating in February 1997 and by December of that year they were able to toast their new shop, Lignum Antiquum, at a festive opening party, which has since become an annual event. ‘Every Christmas we host a threeday event for friends and clients. I like to decorate the whole house as well as the store and there’s a really warm, seasonal atmosphere,’ Marly says.

The name of the shop means ‘old wood’ in Latin, and was chosen because the couple specialise in French 18th and 19th- century country furniture and decorative antiques. ‘These pieces have a certain frivolity as well as an honesty that we both love,’ says Marly. ‘French antiques usually have obvious traces of usage, a natural patina, which adds to their beauty and value.’

Work on the rest of the house progressed slowly but steadily, and throughout the lengthy process original details that had been hidden behind layers of plaster and hardboard were gradually

revealed. In the kitchen they found a small window hidden away behind some panelling. The couple believe that it would have been used as the counter where people made appointmen­ts and reported their civil a airs when the building also served as the local council house.

Now the renovation is complete, Marly and Wiel have more time to dedicate to their business and, as it grows, so the house fills with the overflow from the store, much to the bemusement of friends. ‘They are often amazed that almost everything in the house has a price tag,’ laughs Marly, explaining that people ask how they can bear to part with their possession­s on such a regular basis. ‘ We’re used to it, though. Occasional­ly there are things I hope won’t sell too soon because I love them so much.’ But when a favourite piece finds a buyer, Marly takes a philosophi­cal view: ‘ We have the privilege of surroundin­g ourselves with beautiful items, which we enjoy and use for as long as they are around.’

Friends are often amazed that everything has a price tag… and ask how they can bear to part with their possession­s

 ??  ?? ABOVE LEFT A French country table is piled high with silver meat cloches and tureen lids. The bench is a simple piece of rustic French furniture and the metal sconces are typical of the smaller decorative items that Marly and Wiel specialise in,...
ABOVE LEFT A French country table is piled high with silver meat cloches and tureen lids. The bench is a simple piece of rustic French furniture and the metal sconces are typical of the smaller decorative items that Marly and Wiel specialise in,...
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 ??  ?? ABOVE The dining room is now in what was once the wedding chamber of the former council house. The yellow walls are Farrow & Ball ‘India Yellow’. The table is 18thcentur­y French, while the dresser is from the late 1800s and holds Marly’s collection of...
ABOVE The dining room is now in what was once the wedding chamber of the former council house. The yellow walls are Farrow & Ball ‘India Yellow’. The table is 18thcentur­y French, while the dresser is from the late 1800s and holds Marly’s collection of...
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 ??  ?? TOP LEFT The main shop space is situated in what was once a cowshed and here Marly and Wiel display assorted pieces of 18th and 19th- century French and decorative objects LEFT The main entrance to the house FACING PAGE Marly and Wiel created a large...
TOP LEFT The main shop space is situated in what was once a cowshed and here Marly and Wiel display assorted pieces of 18th and 19th- century French and decorative objects LEFT The main entrance to the house FACING PAGE Marly and Wiel created a large...
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 ??  ?? The hall is decorated with willow and oak wreaths in preparatio­n for the Christmas season. The white bench is French, as is the toy bus. Among the property’s many original features are these bold black and white oor tiles
The hall is decorated with willow and oak wreaths in preparatio­n for the Christmas season. The white bench is French, as is the toy bus. Among the property’s many original features are these bold black and white oor tiles
 ??  ?? ABOVE In the master bedroom the original beams were revealed and restored. The nightstand is 19thcentur­y oak. The oor covering is sisal and the decorative moss- covered lampshades were made for their annual Christmas event by a friend
ABOVE In the master bedroom the original beams were revealed and restored. The nightstand is 19thcentur­y oak. The oor covering is sisal and the decorative moss- covered lampshades were made for their annual Christmas event by a friend
 ??  ?? The taps on the bath came from an old 17th- century Belgian water pump. The oval tub is by Ideal Standard. The towel rail with beaded detailing is French 19th- century
The taps on the bath came from an old 17th- century Belgian water pump. The oval tub is by Ideal Standard. The towel rail with beaded detailing is French 19th- century

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