Homes & Antiques

Northern exposure

Once the summer residence of a Danish shipping magnate, an abandoned villa overlookin­g the North Sea has been given a new lease of life as an elegant family home

- FEATURE LISE SEPTIMIUS KROGH PHOTOGRAPH­S KRISTIAN SEPTIMIUS KROGH

With a wonderfull­y quirky architectu­ral style, it’s hard to believe that this early20th- century Danish property was once an old people’s home. Now a stylish family space, take a peek inside this former shipping magnate’s summer house overlookin­g the North Sea

While most people take holidays to escape their day jobs, it would seem the original owner of Niels Henrik Hansen’s house was never o duty. A wealthy shipping merchant, he not only chose to build his summer residence within sight of the coast, but he also insisted on high attic windows from which he could keep an eye on his business far out at sea. At some point after the building’s completion in 1907, his fortunes must have failed because despite his diligence, the house was sold o and turned into an old people’s home. By the early 1990s, when Niels Henrik first spotted it, the property had been boarded up and abandoned.

Surrounded by extensive parkland with a lake, the building became a favourite landmark on his regular running route through the woods around Hornbaek, a fashionabl­e seaside resort an hour north of Copenhagen. Intrigued by what he glimpsed through the trees, Niels Henrik leapt at the chance to take a look around when, one morning in 1993, he spotted a ‘For Sale’ sign.

Although clearly in a sad state of repair, the quirky architectu­ral style, unusual roofline, verandas, balconies and high attic windows won Niels Henrik over instantly. But beyond the grand exterior, the interior had been stripped of all charm: the once- elegant, high- ceilinged rooms had been unsympathe­tically divided, their walls covered with gloss paint, the wooden floors hidden under lino.

It was clearly going to be a huge project, but Niels Henrik was undaunted and he moved in and got to work on the basics. However, it wasn’t until he met his wife, Christina Thorbøll, the co- owner of stylish interiors and accessorie­s company Oi Soi Oi, that the project really took o . ‘ We both have children from

Together, the couple spent five years working their way through the house, room by room, thoughtful­ly bringing the neglected building back to life.

our previous marriages,’ she says, ‘and it was clear the house would be perfect for our family of seven.’

Together, the couple spent five years working their way through the space, room by room, thoughtful­ly bringing the neglected building back to life: original wainscots, stucco and panelled doors were restored to their former glory. Windows, walls, ceilings, doors and panelling were painted white, ‘in the best summerresi­dence tradition.’ Linoleum flooring was pulled up to reveal the beautiful floorboard­s hidden underneath. Now cleaned and sanded, the wood floors are the perfect foil to the kilims and rugs that the couple have chosen to use throughout their home.

‘ We didn’t stick to a specific look in our interior design,’ says Christina, explaining that they preferred to mix various styles together, ‘in order to live with the things we like.’ For Niels Henrik that means antiques. ‘He’s passionate about old things,’ says Christina. ‘He usually finds his treasures at auction and in flea

markets. He likes restoring the things he finds – the chandelier­s and the old ship in the window of the conservato­ry.’ Christina’s aesthetic is more contempora­ry and she particular­ly admires classic Danish designs, such as the 1950s Arne Vodder recliner in the sitting room. Both like to pair their antique and vintage furniture with ethnic pieces, which are either gathered on their travels or sourced as part of Christina’s interiors business. Together they have created a very personal look that is an elegant blend of Scandi simplicity with tribal pattern and colour. ‘I call it Nordic exotic,’ says Christina, explaining how the

Niels Henrik and Christina like to pair their antique and vintage furniture with ethnic pieces gathered on their travels

clean lines and neutral tones are the perfect backdrop for the colourful, decorative designs she has collected from places such as Vietnam and India. As well as being beautiful, their possession­s have great sentimenta­l value, says Christina, which she feels is essential in order to create a sense of ‘harmony, cosiness and comfort.’

Cosiness, or hygge, as it is in its Danish form, is something all Danes strive for in the run up to Christmas, and Niels Henrik and Christina are no exception. From early December there is a small Christmas tree in the sitting room and they collect cones, moss and larch branches from the grounds around the house. ‘I prefer nature’s own decoration­s rather than a roar of vivid colour. I want it to be beautiful in all its fairy-tale simplicity,’ she says. One of her favourite traditions involves the arrival of a second, much larger tree on Christmas Eve. ‘ We go to a local farm and cut it down. It’s always far too big,’ she laughs, ‘but decorating it keeps the children busy.’ While the younger generation deal with the tree, the adults prepare a roast duck, which is eaten on Christmas Eve.

In all likelihood, Christina and Niels Henrik are playing out the same traditions as the first family who lived in the house over a hundred years ago.

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 ??  ?? ABOVE LEFT Christina Thorbøll in the doorway between the library and conservato­ry. The shelf is from an old church on the Danish island Bornholm and was bought at auction. The pictures on the wall are by Richard Mortensen ABOVE RIGHT Simple Christmas stockings are hung from the banisters as a form of advent calendar; a small present is added each day in the run- up to Christmas. These came from Christina’s shop and are decorated with sprigs of spruce from the garden
ABOVE LEFT Christina Thorbøll in the doorway between the library and conservato­ry. The shelf is from an old church on the Danish island Bornholm and was bought at auction. The pictures on the wall are by Richard Mortensen ABOVE RIGHT Simple Christmas stockings are hung from the banisters as a form of advent calendar; a small present is added each day in the run- up to Christmas. These came from Christina’s shop and are decorated with sprigs of spruce from the garden
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 ??  ?? designer Christina’s room, ABOVE a sculptural LEFT Arne grandfathe­r. Vodder The contrast 1950s is It a family takes wood-and-woven-leather to the pride heirloom linear of side place and table originally in the that chaise spacious came belonged by from Danish living to Christina’s business partner’s shop. The husband, picture who on the is a wall painter is by ABOVE Jim Goodall, RIGHT Christina’s The carved wooden carousel horse is from India but the couple bought it on a trip to Germany FACING PAGE Floor-to- ceiling, custom- built shelving contains the couple’s extensive book collection. The chandelier came from Bruun Rasmussen’s auctions, the cube- shaped lacquerand- metal tables are from Oi Soi Oi, as are the velvet cushions. The red sofa from Anton Dam has been in the family for several years and complement­s the antique kilim. Colourful oor cushions stacked in the far corner are used for informal seating when necessary
designer Christina’s room, ABOVE a sculptural LEFT Arne grandfathe­r. Vodder The contrast 1950s is It a family takes wood-and-woven-leather to the pride heirloom linear of side place and table originally in the that chaise spacious came belonged by from Danish living to Christina’s business partner’s shop. The husband, picture who on the is a wall painter is by ABOVE Jim Goodall, RIGHT Christina’s The carved wooden carousel horse is from India but the couple bought it on a trip to Germany FACING PAGE Floor-to- ceiling, custom- built shelving contains the couple’s extensive book collection. The chandelier came from Bruun Rasmussen’s auctions, the cube- shaped lacquerand- metal tables are from Oi Soi Oi, as are the velvet cushions. The red sofa from Anton Dam has been in the family for several years and complement­s the antique kilim. Colourful oor cushions stacked in the far corner are used for informal seating when necessary
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 ??  ?? The most impressive windows in the house are in the conservato­ry, which is decorated in neutral tones. Armchairs are upholstere­d in a heavy linen from Sanderson. The ship in the window is a nod to the history of the house and was bought at a ea market in the south of France
The most impressive windows in the house are in the conservato­ry, which is decorated in neutral tones. Armchairs are upholstere­d in a heavy linen from Sanderson. The ship in the window is a nod to the history of the house and was bought at a ea market in the south of France

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