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Papercu!er Jessica Baldry draws inspiratio­n from vintage botanical prints and nature to create her striking silhoue!es

Taking her inspiratio­n from classic folk art and antique horticultu­ral prints, Jessica Baldry hand-cuts intricate botanical paper artworks with character and colour

- INTERVIEW SOPHIE HANNAM PHOTOGRAPH­S JESSE WILD

From sweet collages of roses and blossom, to silhoue!es of sprawling ferns and veined leaves, Bristol-based artist Jessica Baldry begins each of her papercut creations with a hand- drawn sketch. These are o"en made while strolling in her local botanic garden. Each tentative bud or tender stem is then painstakin­gly cut by hand, creating # nished artworks that are as delicate as they are beautiful.

What is your background?

I’ve always loved making and knew that I wanted to be an artist from a young age. I studied Ceramics at university and went on to work as a surface decorator for Dartington Po!ery, which taught me the value of my own ideas and artistic skills. I started experiment­ing with designs of my own during my lunchbreak­s at Dartington, before leaving and # nding my own li!le studio to create in independen­tly. This is when I began trying out papercu!ing projects: creating illustrati­ve pieces to sell at local markets and shops. Eventually, I took the leap and set up my own design business.

When did you rst discover papercut illustrati­on?

Papercu!ing originated in ancient China, and it is still a popular traditiona­l cra " today. I # rst saw handmade paper

silhoue!es on a trip to China during my degree, and I was entranced by the delicacy and intricate detail. I bought myself a paper bu!er "y, (which I still have!) and desperatel­y wanted to try and produce something that beautiful myself. Once home, I began to experiment with simple cut designs for friends and family, and I began to notice papercu!ing more and more in the work of the designers and illustrato­rs that I admired.

What inspires you?

I love nature and the outdoors, so a lot of my work is based around sketches made at botanic gardens, or while walking in the woods. I also # nd myself drawn to folk art and vintage botanical illustrati­ons – they in "uence my style of design.

How do you make one of your papercut illustrati­ons?

All of my original pieces begin with a sketch. This is then # ne-tuned and either cut out from a single sheet of paper using a cra $ knife to form an intricate silhoue!e, or di %erent elements are drawn and cut from layers of coloured paper to allow me to create a collage. These designs then go on to become greetings cards or limited- edition prints. I have also recently begun to laser- cut some of my paper "owers, as making replica petals by hand can take a long time!

Do you have a favourite design to create?

I’m always challengin­g myself to produce pieces with more complex details, and I have just

‘I’m drawn to folk art and vintage botanical illustrati­ons – they in uence my style of design.’

! nished one of my botanical papercuts inspired by zinnia "owers. Cu#ing each of the gorgeous layered petals has made it my most timeconsum­ing project yet, but it was so rewarding.

How do you display your designs at home?

I don’t have any of my own creations on display at home, as I enjoy collecting prints by other designers so much! I have lots of pieces by Rob Ryan, Katie Sco#, Lara Hawthorne and Naomi Wilkinson, all of whom I admire. I also love Elizabeth Olwen’s textile pa#ern designs, and I have framed a couple of her fabric o$- cuts. My family have a few of my creations on display as they have received so many papercut gi %s over the years. My parents have one of my poppy silhoue#es hanging in a "oating frame from their kitchen window, which looks really e$ective in the light.

What are you currently working on?

My priority right now is to complete a personalis­ed wedding gi % commission for a customer – I love the creative challenge of creating one- o$ designs for people. I’m also designing a botanical logo for a "orist and I’ve started to create a new series of large-scale botanic papercuts. And, one day, I’d love to design a collection of "oral repeat pa#erns for home textiles. See more of Jessica’s intricate creations at jessicabal­dry designs.com

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 ??  ?? ABOVE A papercut nude form, surrounded by leafy fronds. RIGHT Each artwork begins with a drawing.BELOW ‘I’m always challengin­g myself to produce pieces with more complex details,’ Jessica explains.
ABOVE A papercut nude form, surrounded by leafy fronds. RIGHT Each artwork begins with a drawing.BELOW ‘I’m always challengin­g myself to produce pieces with more complex details,’ Jessica explains.
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 ??  ?? LEFT AND BELOW LEFT Jessica’s pieces are either hand-cut from a single sheet of paper, or layered together to create a colourful collage. BELOW Jessica’s intricate horticultu­ral silhouette­s look particular­ly striking when suspended in rustic metal or wood floating frames.
LEFT AND BELOW LEFT Jessica’s pieces are either hand-cut from a single sheet of paper, or layered together to create a colourful collage. BELOW Jessica’s intricate horticultu­ral silhouette­s look particular­ly striking when suspended in rustic metal or wood floating frames.
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 ??  ?? LEFT One of Jessica’s house plant silhouette­s, which costs £12.50.
LEFT One of Jessica’s house plant silhouette­s, which costs £12.50.
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