James Balston photographed ‘Modernist Masterpiece’

Magnus Englund nds life in his one-bed Isokon apartment a joy, and celebrates its Grade I listing

After starting out as an interior designer, James made a gradual move to photography about 18 years ago. He shoots not only homes, but hotels, spas and restaurants around the world.

‘The oldest thing I own is Modes et Costumes Historiques by the Pauquet brothers, a book from 1864. It belonged to my grandparents and has always fascinated me.’

While most of us would baulk at the restrictions of living in a Grade I-listed building, Magnus Englund positively revels in them. ‘We can’t change a thing,’ he says of the Isokon penthouse apartment he shares with his wife, Gjøril Reinecke. ‘Not the wall colour, the oors or even the door handles.’ The Isokon, also known as Lawn Road Flats, is a landmark of Modernist architecture in leafy north London and, for Magnus, a Swedish design expert and the building’s resident historian, living there is a privilege. ‘Every day spent here is a joy,’ he says.

His penthouse was once home to Molly and Jack Pritchard, visionary entrepreneurs who commissioned the radical architect Wells Coates to design the building. Built in 1934 and comprising 32 ats, the Isokon was the rst time that reinforced concrete had been used in a British block of ats. Today, the building still stops you in your tracks: its smooth white façade and long walkways give it the appearance of a cruise liner adri in a sea of Edwardian and Victorian villas.

‘Jack and Molly believed that well-planned, rational architecture could improve people’s lives,’ says Magnus. Built in response to the housing shortage in the 1930s, the ats were aimed at urban professionals, ‘who had cast o the clu er of the Victorian era and entered the sunlit uplands of Modernism.’

Back then, Hampstead was still a bohemian enclave and the Le -leaning Pritchards hosted lively salons. On balmy evenings you might nd Modernist architect Maxwell Fry, the art historian Nikolaus Pevsner or sculptor Henry Moore locked in ery debate on the terrace. A er Hitler

The ings are facsimiles of Wells Coates’ designs, whose attention to detail stretched to the D-shaped handles on the ed kitchen cupboards.

came to power, leading members of the Bauhaus – Marcel Breuer, Walter Gropius and László Moholy-Nagy – eeing Nazi persecution, sojourned here adding to the neighbourhood’s cosmopolitan atmosphere. Magnus’s latest book, co-wri en with Leyla Daybelge, explores the Isokon’s connection with Bauhaus and it has been a delight, he says, ‘to discover the exact spot where all these people once sat and stood.’

The layout of the compact but bright one-bedroom at works well. ‘Wells Coates designed sailing boats and the studios at BBC Broadcasting House, so his knowledge of making small spaces work was unique,’ says Magnus. In 2004, the entire building was restored by Avanti Architects and made t for 21st-century habitation a er years of dire neglect. The ings are facsimiles of Wells Coates’ designs, whose a ention to detail stretched to the D-shaped handles on the ed kitchen cupboards. In the bathroom, the mirror is another Wells Coates design, while the industrial-style light was designed by Robert Dudley Best, of Best & Lloyd in Birmingham. The chequerboard oor, however, is original.

In its heyday, catering was provided by a dumb waiter, which ferried meals up the spine of the building from the Isobar restaurant, designed by Marcel Breuer and frequented by locals such as artists Ben Nicholson and Barbara Hepworth. ‘There was a real foodie scene going on,’ says Magnus. Fellow tenants also enjoyed shoe cleaning, bed making and window cleaning services provided by an apron-clad sta .

Although Magnus rents his at, he takes his responsibilities as custodian of a legacy so seriously that he commissioned Nick Gold nger (grandson of Trellick Tower architect Ern ), to restore the ply walls of the si ing room. The bedroom, which feels as snug as a ship’s cabin, still has the original built-in cupboards complete with their clever storage capabilities, such as an extending trouser rack.

Through tip-o s from fellow experts, Magnus has tracked down examples of furniture, such as the set of nesting tables and the small Donkey bookcase, made by Isokon, the plywood furniture company that Jack established in 1931. In lieu of rent at the Isokon, Pritchard persuaded Bauhauslers Breuer and Gropius to design several bentwood pieces, such as the long recliner or dining table, which are still in production today (turn to our ‘Focus On Isokon Furniture’, page 81).

Magnus, who grew up in Sweden and set up Scandinavian furniture store Skandium in London in 1999, is

something of a ‘furniture geek’. His personal collection ‘reads like a timeline of 20th-century design’. There is a bedside table by Alvar Aalto, a white cupboard by Harri Koskinen for Skandium; the sofa was designed for Berthold Lubetkin’s Highpoint, in nearby Highgate. But his interest isn’t limited to furniture: an abstract nude on the wall is by Stephen Cohn, who married Wells Coates’ daughter, Laura, and there are textiles by Eleanor Pritchard, a weaver inspired by Bauhaus, which add warmth and texture to the se ing.

In 2014 Magnus raised funds to turn the Isokon’s garage into a museum. Designed by Avanti Architects, it is a small but intriguing celebration of the building’s golden era and famous tenants, who included Agatha Christie and a ‘nest’ of spies working for the Russians. He wishes there were more Isokons being built now. ‘The Pritchards believed that good design could create a sense of community. Its message is still relevant today.’ The Isokon Gallery in the garage is free to visit – isokongallery.co.uk

Magnus has furnished the streamlined apartment (designed for the Isokon Building’s developers Jack and Molly Pritchard in 1934) with his own collection of 20th-century design pieces. The sofa was made specially for the Highpoint Modernist block of flats in north London. The table is a design for Jack Pritchard’s Isokon furniture company, and the curved storage unit was made by Venesta, the plywood importers that Jack joined after studying engineering at Cambridge. September 2019 Homes & Antiques 75

The apartment is filled with Scandinavian designs alongside original Isokon furniture. The white cupboard is by Harri Koskinen for Skandium, the design store Magnus set up in 1999.

A poster of architect Le Corbusier – whose teachings inspired the design of the Isokon – sits among Magnus’s collection of Scandinavian design. The simple Vakka ply storage boxes are by design duo Aalto+Aalto for Iittala.

Author and 20th-century furniture expert Magnus Englund is the ideal custodian for the apartment and has written extensively about the Isokon’s history. ‘It is a joy to live here,’ he says. The dining table was designed by Marcel Breuer and the chairs are Alvar Aalto’s 66 design, covered in a zebra fabric that is exclusive to Artek. LEFT The hallway is lined with Isokon memorabilia, including a photo of former resident Walter Gropius and an original menu from the Isobar restaurant.

The main rooms of the one-bedroom apartment, designed by Wells Coates, still have the original Baltic ply cladding supplied by Venesta, where Jack Pritchard worked in the 1930s. The bedside table is Alvar Aalto’s 1933 Model D stool made for Finmar. The lamp is by Poul Henningsen for Louis Poulsen and the painting by an unknown artist used to belong to Magnus’s parents.

RIGHT Wells Coates, who had been a fighter pilot in the First World War and had also designed boats, was an expert on space-saving design, which is evident in his compact but highly efficient look for the Isokon’s bathrooms. The fittings, such as the mirror and light, are facsimiles of 1930s originals; in keeping with Le Corbusier’s dictum that a house ‘is a machine for living in’, even the interiors of the built-in cupboards were thoughtfully designed. The original drawer cubbies remain as useful today as they were in 1934.

LEFT The compact penthouse kitchen was designed by Wells Coates and the fittings are facsimiles of his original designs; the umbrella stand in the hall is by Alvar Aalto for Artek. The abstract painting, which came from Magnus’s parents’ house in Sweden, is by an unknown artist.

The long, south-facing terrace is larger than the flat, and the couple use it throughout the summer. Magnus chose the Eero Saarinen tables to suit its streamlined feel. BELOW A scaled model of the Isokon building by Chisel & Mouse sits on a window sill overlooking the leafy lanes of Hampstead.