Bringing it all BACK HOME

Marion and Richard Lightbown’s Wiltshire home is a showcase for the exotic antiques they have sourced on trips to Asia over the decades

Marion Lightbown rst fell in love with India and its handcra ed furniture, textiles and homewares in the late 1970s. It was the overland trip back from Australia with her husband Richard that did it. A er travelling up through Bali, Malaysia and Thailand, they bought a van in Kathmandu, and drove through northern India to Amritsar, home of the Golden Temple, via Delhi.

‘India is fantastic because it has a living culture,’ enthuses Marion. ‘It’s not just about money, it’s a soulful place. Here, we live in a world where everything is mass-produced, but in India, everything is made by a person, not a machine: the embroidery on the bed linens is done by hand, the marble plates are carved by hand. When we go out there buying, we meet the people who make these things, and the ladies who fan them while they’re working.’

On a second trip, a few years later, Marion and Richard were invited by acquaintances to stay in their house in Delhi. ‘He was Swiss and she was French and their home was breathtaking – lled with this amazing mix of Indian and European furniture,’ Marion recalls. So inspired were they

by what they saw, that they promptly decided to set up a business importing antique furniture and traditional handicra s from the subcontinent to England.

The encounter also sparked a desire to create a home of their own lled with these treasures, a journey that began in 1991 when they bought a detached Victorian house with a secluded garden in the Vale of Pewsey, Wiltshire.

The project has taken 28 years to complete, with the last piece of the jigsaw ing into place in 2012, when a dilapidated barn at the back of the house was rebuilt as a soaring glassfronted extension looking on to the garden. This generous, light- lled room also includes a mezzanine master bedroom and en suite. The conversion has given them ample space in which to display the many large and impressive pieces of art and furniture that Marion has secreted away over three decades of sourcing stock from India, China and beyond. ‘A lot of these things need space to be appreciated, so it’s wonderful to have this room,’ says Marion. ‘We’ve got all sorts in here. I like to mix it up: painted Jain doors from Rajasthan; a walnut altar table from Gansu, China; there’s a drum from Thailand and the rugs are from Tibet.’ There is also a Chinese ancestor house (a sacred piece of furniture o en placed in the home for ancestor worship), a big red lacquer wedding cabinet, and the hand-painted dining table was probably made for a maharaja’s palace, Marion says. ‘We bought that early on and I had to ght hard to keep it. My husband would have sold everything.’

The house was much more modest when the couple moved in with their then two-year-old son, Tom. There were two reception rooms, plus a dated kitchen and dining area on the ground oor and two bedrooms, a box room and a 1960s bathroom upstairs. One of the rst jobs was to put in a new kitchen. Two pairs of Indian la icework doors that they had picked up on their travels were the starting point

for this. ‘We decided to make one set a larder and the other a china cupboard, then the kitchen was built around them by a local specialist company,’ explains Marion.

Granite worktops and under oor heating were added more recently, but otherwise this room has hardly changed – Marion still loves the original deep-green paint of the cupboards. The main bathroom was put in around the same time, with a wall taken down to incorporate the box room. The centrepiece was a cast-iron bath they found at Dorset Reclamation.

Back in the early days, Marion o en found herself home alone with Tom, while Richard was o on buying trips, and she would decorate to make use of the time. ‘When Tom went to bed, I would get out my paintbrush and sometimes work until 2am,’ she recalls. A er painting Tom’s room, she tackled the master bedroom, which she gave a neutral base, then ragged over with peach. ‘It was OK, but a bit dull, then my friend suggested we paint a frieze in blue. We drank quite a lot of wine that evening, but actually the colours really work. That was our bedroom until we did the extension, and I still love it.’

Of all the rooms in the house, this is the most crammed with inspiration

In the early days, Marion o en found herself home alone with Tom while Richard was on buying trips, and she’d decorate to make use of the time.

and treasures from their travels. On the wardrobe sits a beloved antique papier mâché horse’s head, a tabernacle from Goa and a Chinese statue of the goddess Guanyin. Framed Indian photographs decorate the chimney breast, and the mantelpiece is lled with tin toys, made for the children of wealthy maharajas. ‘We brought back quite a few at one point,’ says Marion, ‘but you just can’t nd them any more.’ On the walls are paintings by Ferelith Molteno, an artist who is in uenced by her travels in India.

This room also houses Marion’s collection of Chinese hats. ‘I just love them,’ she says. ‘I shared one on Instagram recently – embroidered with leaves and owers and a tiny dolly in the top. The skill of making something like that is astonishing.’ It’s that a ention to detail that Marion enjoys, and it’s evident in everything she and Richard buy for the business, as well as the pieces they choose to keep for their home. ‘That’s art,’ she says, ‘when someone enjoys doing something so much that they want to go that extra mile and make a fantastic job of it.’

It’s that a ention to detail that Marion enjoys, and this is evident in everything she and Richard buy for the business, as well as the pieces they choose to keep for their home.

56 Homes & Antiques September 2019 An impressive pair of antique painted Jain doors from Rajasthan dominate one wall of the doubleheight extension at the back of the house. The altar table below is from Gansu province, China. RIGHT Richard and Marion with Raj, their Bengal cat, in front of a red lacquer Chinese wedding cabinet. The 19th-century coffee table is from Gujarat.

CLOCKWISE FROM ABOVE A jali cabinet hides the television in the sitting room and the mirror is framed with an old Indian window case; the spice rack in the kitchen is also from India; 18th-century reverse glass paintings hang above a Chinese apothecary cabinet in the sitting room; the glass extension is filled with treasures.

The scroll-base dining table was made in China from bleached elm, along with a set of four Chinese ‘official’s hat’ chairs. New and antique blue-and-white Chinese porcelain makes an eye-catching display in a zesty alcove.

CLOCKWISE FROM ABOVE Indian and Japanese curios are displayed on an antique chest of drawers with bone inlay; in the hall, an old satinwood jewellery box and lamp made from a Kashmiri candlestick sit on top of a painted Tibetan cabinet; a set of ornate display shelves perch on another cupboard from Tibet. The little pigeon holes are filled with boxes and other precious ornaments.

The master bedroom, on a mezzanine level overlooking the glass-fronted extension, is furnished with bone-inlaid, Raj-era teak chairs and a Japanese tansu (chest). On the cabinet at the foot of the bed is a round lacquered betel box from Kerala. LEFT The bathroom features old louvred doors under the wash basin and a carved stone Indian jali panel.

BELOW A rosewood mirror inlaid with mother of pearl sits next to a Chinese children’s hat on a Kashmiri candlestand; the gothic-style wardrobe is from Pondicherry, India. Marion ragged the walls and painted the blue frieze.