Homes & Antiques

REPURPOSIN­G ANTIQUES

Follow Krystyna’s lateral thinking to update your home without costing the earth, says Charlotte Packer

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Although the term was only coined in the 1990s, upcycling is an age-old enterprise, and examples can be found throughout history: from 16th-century coffers adorned with carvings that were added centuries later, to lamp bases made from antique ginger jars.

For interior designer Krystyna Martin-Dominguez, it’s about sustainabi­lity as well as aesthetic considerat­ions. ‘I love the marks of age, the wear and tear, the evidence that a piece has had a life,’ she says. ‘By giving something a new purpose, you are extending and enriching that life.’ It’s also a fail-safe way to add character to a home. ‘Interiors need layers and texture,’ says Krystyna, and furniture that has been cleverly repurposed will provide a sense of personalit­y and history. ‘It’s not all just new, new, new!’

Annie Sloan, the doyenne of upcycling, thinks it’s time to reframe our ideas about throwing things away. ‘Our responsibi­lity to the planet is to be more thoughtful. Reusing something is so much better than disposing of it or even recycling.’ Before buying something new, she suggests we ask ourselves if we really need it, or do we already have something that could be adapted? ‘The bene ts are tenfold,’ she says. ‘You’ll have something witty and unique, that hasn’t had a negative impact on the planet.’

Theodora Burrell, specialist in Fine Furniture and Decorative Arts at Lyon & Turnbull, agrees: ‘If you want to paint a Victorian chest of drawers that’s only going to make £100 at auction, or might be chucked out, then go for it.’ Although people have strong opinions about what’s OK and what’s not when it comes to upcycling, she feels it’s ne within reason. ‘If you can reverse what you’ve done, then great,’ she says. ‘Though personally, I would never over-paint a Georgian mahogany piece or a

Regency rosewood item. The veneers are precious and beautiful, and you’ll strip away value if you do that.’

However, she regularly sells early 19th-century candlestic­ks that have been converted into lamp bases. ‘It’s a clever use of the items. Let’s face it, we use table lamps every day and we light candles much less o en.’ Likewise, ceramic vases sometimes have holes drilled into their bases to house wires for the same purpose. It’s not uncommon to nd desks and chests of drawers with later, replacemen­t handles, or Georgian cabinets with Victorian marble tops.

But be aware that with all antiques, any changes will have an impact on value. For this reason, Theodora advises us to exercise a li le caution: ‘Get the piece valued before you start. If the market has really fallen away, it’s be er to upcycle something than let it go to waste.’ Annie Sloan is of the same opinion: ‘So o en we’re told it’s sacrilege to perform any adjustment­s on furniture, but I’m certain your great-grandparen­ts would prefer you to love their old dresser rather than simply lumping it!’

 ??  ?? LEFT This pair of bronze table lamps, converted from Regency candlestic­ks, sold for £1,000 at Lyon & Turnbull.
BELOW LEFT An old clock case is now a handy bathroom cabinet.
LEFT This pair of bronze table lamps, converted from Regency candlestic­ks, sold for £1,000 at Lyon & Turnbull. BELOW LEFT An old clock case is now a handy bathroom cabinet.
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 ??  ?? LEFT An early 20th-century dressing table is a quirky addition to Krystyna’s kitchen.
BELOW This Regency mahogany side cabinet is fitted with a later marble top, and sold for £800 at Lyon & Turnbull.
LEFT An early 20th-century dressing table is a quirky addition to Krystyna’s kitchen. BELOW This Regency mahogany side cabinet is fitted with a later marble top, and sold for £800 at Lyon & Turnbull.
 ??  ?? Annie Sloan’s new Pearlescen­t Glaze is used to stunning effect over a white paint on an antique chest of drawers and a vintage wardrobe.
Annie Sloan’s new Pearlescen­t Glaze is used to stunning effect over a white paint on an antique chest of drawers and a vintage wardrobe.
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