Homes & Gardens

The full ENGLISH

When this internatio­nal couple made the move to Britain, they embraced English decorative style with relish. Now their period family home o≠ers an elegant contempora­ry variation on a quintessen­tial theme

- WORDS JENNIFER GOULDING PHOTOGRAPH­S PAUL RAESIDE

Amid the tumult of change, it can be tempting to cling to the familiar. This was not the case, however, for Kathreen and Mark Hunt and their two teenage sons, who moved to Britain early in 2013, shortly before they bought a classic Georgian townhouse in London. To this quintessen­tially English building they could have imported their cosmopolit­an style – a reflection of their dual nationalit­ies and extensive travel – but instead, they looked more locally for inspiratio­n.

ON THE HUNT

“We knew we wanted to be close to central London, but we weren’t sure where,” says Kathreen. After a three-month search, they settled upon this elegant five-storey building in the south west of the city. “It’s nicely proportion­ed and light with high ceilings, and we liked the garden, which is unusually large for this area,” explains Kathreen.

However, there were elements of the house they found disconcert­ing. “Where we lived before, all the apartments were on one level and it took a while for us to get used to living on multiple floors,” says Kathreen. “Having the kitchen in the basement also seemed strange. One of my sons told me ‘You’ll spend all your life undergroun­d’ and, as I love cooking, it’s true, I do.” Given the opulence of the semisubter­ranean lower-ground floor, Kathreen’s hours spent here are not so bad, surely? She laughs and replies: “We loved our previous apartment, but we enjoy these novelties.”

TAILORING THE SPACE

While respecting the living arrangemen­ts that they had inherited when they bought the property, the family could not ignore the fact they needed to make some alteration­s to make the house work e≠ectively for them. With the help

A few adjustment­s opened up and simplified the ground and lower-ground floors, making them more practical for family life.”

of Dry Architects, an infill extension was created on the ground floor, giving the Hunts a dramatic, double-height sitting room with a conservato­ry roof, while French doors o≠er excellent views of the garden, which was such an important part of the property’s appeal.

These significan­t structural changes were complement­ed by a series of smaller adjustment­s that opened up and simplified the ground and lower-ground floors, making them more practical for family life. “There were a number of odd corridors and small rooms. The new configurat­ion is a much better use of space,” says Claire Collett, of Dry Architects.

A CERTAIN ENGLISHNES­S

“When we moved, we wanted to start from scratch, so we didn’t keep anything from our previous apartment,” says Kathreen. “We wanted the decoration to have an English spirit but as we researched English style, we realised that it is many things, and that it can be very traditiona­l and very modern.” In the end, they settled on a lighter, more modern look, as they felt it was more suited to their way of living, and turned to interior design company Helen Green Design to help them bring it to life. “Their design schemes balance the old and the new in a way we like; they’re classic but with new angles.”

The design process was an exciting learning opportunit­y for Kathreen. “I was impressed by the level of craftsmans­hip in Britain, and the focus on detail. It could be very subtle, such as the trimming on a cushion, but I’ve learned that that level of attention can make an object very special. Before, I thought a cushion was just a cushion. Now I know otherwise.” Not only has the Hunts’ move to Britain brought them a beautiful new home, it has also provided the opportunit­y to explore their version of English decoration, which has given them a new outlook on creating the perfect home.

When we moved, we wanted to start from scratch, so we decided not to keep anything from our previous apartment.”

As we researched English style, we realised that it is many things, and that it can be very traditiona­l but also very modern.”

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 ??  ?? FAMILY ROOMRugs have been used throughout the lower-ground and ground floors to denote areas with designated functions. This rug (left) is used to help define the area where the family watches television. Neue sofa, £9,387.34 plus 15.5m of fabric, Baker, bakerfurni­ture. com. Sofa in Martora in Giallo, £118m, Rubelli, rubelli.com.STUDYA built-in desk and matching shelves (above) create a sleek look, which is given warmth by the wall colour and mellow hues of the timber.Walls in Clunch, Estate Emulsion, £39.50 for 2.5 litres, Farrow & Ball, farrow-ball.com.
FAMILY ROOMRugs have been used throughout the lower-ground and ground floors to denote areas with designated functions. This rug (left) is used to help define the area where the family watches television. Neue sofa, £9,387.34 plus 15.5m of fabric, Baker, bakerfurni­ture. com. Sofa in Martora in Giallo, £118m, Rubelli, rubelli.com.STUDYA built-in desk and matching shelves (above) create a sleek look, which is given warmth by the wall colour and mellow hues of the timber.Walls in Clunch, Estate Emulsion, £39.50 for 2.5 litres, Farrow & Ball, farrow-ball.com.
 ??  ?? SITTING ROOMA bespoke seven-tier glass and polished nickel chandelier (above) emphasises the grand proportion­s of this double-height room. Lipi rug, from £1,368sq m, Luke Irwin, lukeirwin.com. Interiorde­sign, Helen Green Design, helengreen­design.com.ENTRANCE HALLThe American brand Baker is one of Kathreen’s favourites. Its Constellat­ion mirror (right), designed by Thomas Pheasant, brings an energising note to the entrance hall. Constellat­ion mirror, £5,903.36, Baker, bakerfurni­ture.com.
SITTING ROOMA bespoke seven-tier glass and polished nickel chandelier (above) emphasises the grand proportion­s of this double-height room. Lipi rug, from £1,368sq m, Luke Irwin, lukeirwin.com. Interiorde­sign, Helen Green Design, helengreen­design.com.ENTRANCE HALLThe American brand Baker is one of Kathreen’s favourites. Its Constellat­ion mirror (right), designed by Thomas Pheasant, brings an energising note to the entrance hall. Constellat­ion mirror, £5,903.36, Baker, bakerfurni­ture.com.
 ??  ?? MAIN BATHROOMA blind with a shimmering gold pattern is an invigorati­ng addition to this luxurious scheme (left). The veining of the polished marble walls gives a sense of depth, while Art Deco-inspired details, such as the taps (below), introduce old-fashioned glamour. Walls in Windhurst polished marble, from £347sq m, Lapicida, lapicida.com. Blinds in Flirt in Giggle Gold, £191, Donghia, donghia.com.
MAIN BATHROOMA blind with a shimmering gold pattern is an invigorati­ng addition to this luxurious scheme (left). The veining of the polished marble walls gives a sense of depth, while Art Deco-inspired details, such as the taps (below), introduce old-fashioned glamour. Walls in Windhurst polished marble, from £347sq m, Lapicida, lapicida.com. Blinds in Flirt in Giggle Gold, £191, Donghia, donghia.com.
 ??  ?? MAIN BEDROOMThe­se Italian strung curtains (right) have an appealing shape that draws attention to the sumptuous silk fabric and the handsome Georgian windows. Curtains in Zebra in Ivoire, £156.50m, Lelièvre, lelievre.eu.
MAIN BEDROOMThe­se Italian strung curtains (right) have an appealing shape that draws attention to the sumptuous silk fabric and the handsome Georgian windows. Curtains in Zebra in Ivoire, £156.50m, Lelièvre, lelievre.eu.

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