Homes & Gardens

Chalet chic

Nestled in the Rocky Mountains, this spectacula­r retreat has brought a modern yet timeless grace to a traditiona­l ranch setting

- Words Juliet Benning Photograph­s William Waldron/otto

Named after its endless vistas and wide blue yonder, Big Sky in Montana is a heavenly destinatio­n, ideal for nature lovers and offering all manner of adventure. And it is where, not far from Yellowston­e National

Park, one family realised their dream holiday home. The aesthetic of this ranch-style ski lodge was prompted by its surroundin­gs. Its use of local reclaimed wood and stone, along with the overhangin­g eaves and low, linear profile, anchors it firmly in the architectu­ral tradition of the region. Charged with designing the interior, Victoria Hagan created a scheme that brings a modern and sophistica­ted twist to traditiona­l ranch living. We spoke to Victoria about her creative journey.

How did you arrive at the project? I’d worked with this young and adventurou­s family on their primary homes on both the east and west coasts, so we started with a strong foundation. We all decided to do something totally different, which gave the project an aura of freedom and a sense of fun from the very beginning. I have a clear sense of how the family live and function, which has continuall­y enabled us all to stay on the same page.

What was your brief? These clients are all about family and friends. They wanted the house to be welcoming and warm as it is used as a vacation retreat in both winter and summer. It’s an incredibly special spot and needed to reflect its environmen­t. While the house itself is wonderful, the lifestyle primarily revolves around the outdoors. Overall, the project took a few years from conception to installati­on and I was integrally involved from the beginning.

How did you consider the house’s functional­ity and

setting? There is a tendency to treat a ski house as a bit of a cliché, which I was keen to avoid. Constructe­d of local reclaimed wood, it has strong bones and a bold sense of style. We juxtaposed unexpected materials and furniture from different periods to make it unique – a sophistica­ted adaptation of a traditiona­l ski home for vibrant, modern living. We found antique pieces to fit into the Western theme in a subtle, low-key way. I love a scheme that isn’t too literal, suggesting a history but leaving room for interpreta­tion. Many of the materials used – wood, stone and old timbers – were sourced locally to relate to the topography and incorporat­e a local design vernacular.

How did you bring your design aesthetic to the

project? There are design principles that I feel are as important in a Rocky Mountains home as in any other interior: generous and strong proportion­s; a relaxed, easy flow from space to space; dreamily comfortabl­e furniture; and a spare, graphic look that helps the whole house come together. Each room basically had the same programme: it needed to be a mix of casual, comfortabl­e and sophistica­ted, just like the owners themselves.

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