Homes & Gardens

CALM & COLLECTED

A heritage home in Cape Town has been reimagined as a relaxed refuge from city life

- WORDS PIET SMEDY STYLING SVEN ALBERDING/BUREAUX PHOTOGRAPH­Y ELSA YOUNG/BUREAUX

Serene schemes fill this heritage house in Cape Town

Tucked away in Cape Town’s Tamboerskl­oof suburb on the lower slopes of Lion’s Head mountain, this period home was just the place property developer Bruce Peach had been longing to find. Located on one of the area’s tree-lined cobbled streets, the house ticked lots of boxes for Bruce. It is secluded yet cosmopolit­an, modern but romantic. ‘Bruce wanted to live in an urban environmen­t that had a real sense of heritage,’ says Johannesbu­rgbased fashion designer-turned-interior decorator Lindie Ferreira, who was tasked with making Bruce’s style vision a reality. ‘He loves authentici­ty and history, having spent years living in London, so he opted for this smaller home that offered quality over quantity.’

The house had lost some of its lustre in the last few years and an update was in order. Previous owners had painted the floorboard­s black, lowered ceilings and left fireplaces in a state of decay, yet Bruce was unperturbe­d. ‘As you’d expect from someone in his industry, Bruce could see the potential immediatel­y. He knew that the house had solid bones and he wanted to uncover and amplify that, rather than lose it altogether,’ says Lindie.

This would require a nuanced strategy that was equal parts renovation and restoratio­n. The floorboard­s were sanded down to reveal their grain, ceilings were removed to show the hand-hewn planks above and the room entrances were widened to create voluminous, open-plan spaces. The new layout was complement­ed by a cool, serene interior with an ethereal quality. ‘What I love in decorating is a sense of tension; that it is both quiet and dramatic,’ says Lindie. ‘It can’t be easy or prescripti­ve – that would be boring.’ Her tonic to this ‘nouveau classic’ style was an eclectic yet monastic approach to furniture and finishes, which has yielded uncluttere­d yet richly layered spaces.

This sentiment couldn’t be clearer than in Lindie’s use of fabric. In each room, curtain material has been carefully considered according to its function; in the sitting room weighted linen introduces a stately sense of importance, whereas in the upstairs bedrooms lighter fabric creates a cocooning softness. Similarly, there is a raw naturalnes­s to the upholstery that infuses the interiors with a feeling of light and air. When it came to furniture, Lindie opted for a mismatch of chairs and tables – a clever synergy between Cape antiques, touches of Quaker-style simplicity and bold Brazilian modernist collectabl­es. ‘All of these feed into the materialit­y of the home; the grain of the wood, the flecks in the marble,’ says Lindie. ‘There’s an honesty that isn’t over-embellishe­d. It is precisely because of these noble materials that the interiors of this property will never date.

‘I think the house is really successful because even though every room is so specific in its function and appointmen­t, there is still a common thread, this feeling of congruency. That’s what we set out to achieve: spaces that both challenge and enthral.’

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 ??  ?? LIVING AREA
Opening up the wall between the sitting room and the dining space (left) has given the ground floor a more expansive feel. Formentera sofa;
Carrara marble coffee table, both Tonic Design. Curtains in Sunset fabric; teak Boomerang chair in linen, all Pedroso & Osório at T&CO Fabrics
LIVING AREA Opening up the wall between the sitting room and the dining space (left) has given the ground floor a more expansive feel. Formentera sofa; Carrara marble coffee table, both Tonic Design. Curtains in Sunset fabric; teak Boomerang chair in linen, all Pedroso & Osório at T&CO Fabrics
 ??  ?? SITTING ROOM
Old and new pieces in dark wood, natural stone and pale tones create a harmonious mix.
Travertine Mushroom
table, Tonic Design. Antique sideboard,
Take It For Granted
SITTING ROOM Old and new pieces in dark wood, natural stone and pale tones create a harmonious mix. Travertine Mushroom table, Tonic Design. Antique sideboard, Take It For Granted
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 ??  ?? KITCHEN
Antique pots and simple earthenwar­e bring a beautiful rustic contrast to the room’s sleek lines and polished finishes. Ceramics, Hunter Gatherer and Artefect. The oil-on-canvas artwork is by Mia Chaplin
KITCHEN Antique pots and simple earthenwar­e bring a beautiful rustic contrast to the room’s sleek lines and polished finishes. Ceramics, Hunter Gatherer and Artefect. The oil-on-canvas artwork is by Mia Chaplin
 ??  ?? KITCHEN
An informal seating area was created with just a few key pieces to ensure this is a place to socialise. Pendant lights,
Visual Comfort & Co.
Chandelier, Delo. The island worktop is marble. Try Caesarston­e for a marble-look surface
KITCHEN An informal seating area was created with just a few key pieces to ensure this is a place to socialise. Pendant lights, Visual Comfort & Co. Chandelier, Delo. The island worktop is marble. Try Caesarston­e for a marble-look surface
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 ??  ?? DINING AREA
The bold fireplace and dark wood table ground this scheme, while an ornate Forties Murano glass chandelier adds a delicate touch. Chandelier;
French 19th-century table and all Take It For Granted
chairs,
MASTER BEDROOM Full-of-character hand-hewn planks were found under false ceilings in all the rooms of the house.
chandelier
French antique and tables, The Crown Collection. Italian custom
Heavenly Feather. Table Visual Comfort & Co linen, lamps,
DINING AREA The bold fireplace and dark wood table ground this scheme, while an ornate Forties Murano glass chandelier adds a delicate touch. Chandelier; French 19th-century table and all Take It For Granted chairs, MASTER BEDROOM Full-of-character hand-hewn planks were found under false ceilings in all the rooms of the house. chandelier French antique and tables, The Crown Collection. Italian custom Heavenly Feather. Table Visual Comfort & Co linen, lamps,

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