Homes & Gardens

WELCOME HOME

Modern British was interior designer Stephanie Dunning’s brief for a grand Victorian home

- WORDS RACHEL LEEDHAM STYLING VIVIENNE AYERS PHOTOGRAPH­Y DAVIDE LOVATTI

When Tom Cameron showed an advert for this rather grand Victorian house in Surrey to his wife Megan, her first impression­s were of a ‘higgledy-piggledy old school’ but closer inspection encouraged her to revise this opinion. ‘The house is situated adjacent to a 20-acre forest, so you drive up through the woods,’ she says. ‘Peering through the gates we saw this magical, beautiful building. We fell in love with it on the spot.’

The house, which was built in 1863, probably as a shooting lodge, is steeped in character, although ill-conceived alteration­s meant that the layout was far from perfect. During the three years that the Camerons and their three young children occupied it before the renovation, they pinpointed the property’s failings. ‘An indoor pool had been added and it didn’t connect well with the house,’ says Tom. ‘The other issue was that the building faced the wrong way, but we couldn’t work out how to turn it around without destroying its character.’

The eureka moment came when the Camerons’ architects, Hugh Petter and Paul Pizzo of Adam

Architectu­re, suggested demolishin­g the staircase in the historic part of the house to create an extension that linked all the different levels, so that the key spaces lead off from it in a Catherine wheel effect. The basement was extended to add an entertainm­ent area to the existing family room, while above this, a large outdoor terrace was created to help reorient the house and connect it with the gardens.

Tom is the founder of a large corporate interior design practice and Megan used to work as a corporate interior designer, so it is little surprise that the pair had strong ideas about how they wanted their home to look. When they approached Stephanie Dunning of Dunning & Everard, it was very much in the spirit of a collaborat­ion. ‘We knew the sort of palette we wanted and also the style – not stiff and formal but in essence very beautiful. Tom coins it “Modern British”,’ says Megan.

Stephanie has taken Megan’s love of blues and greens and translated them into layered rooms that combine different textures to create a sense of understate­d luxury. The greenish-blue sitting room,

a Tv-free zone where the family read and play board games, features seating in soft velvets and tactile wools, while the dining room has dramatic blue-black walls. ‘The colours were very important; we wanted the house to represent us a family,’ says Megan.

Although they brought little in terms of furniture to the project, the couple own a considerab­le art collection, much of it by artists from their native South Africa. ‘I’ve been collecting since I was a student. I started out with etchings from local markets,’ says Tom. ‘Stephanie produced an art inventory and reframed all the pieces. We were very impressed by how she made them appropriat­e to the house.’

Entertaini­ng was another key part of the brief. ‘We have a lot of family in the UK and we will often have 14 around the table for Sunday lunch, so flexibilit­y was important,’ says Tom. For example, Stephanie was tasked with creating storage in the family room to house trestle tables and chairs so that the Camerons can host up to 26 guests for a sit-down meal.

In the summer months, the family and their friends spill outdoors and this is when the newly designed terraces, which incorporat­e dining and seating areas as well as an outdoor cooking space, really come into their own. Off the kitchen is a pavilion structure featuring electronic side panels and a louvred roof that closes at the touch of a button to provide a sheltered sitting area. It was commission­ed by the couple’s garden designer, Cherry Mills, who added a rendered wall incorporat­ing a fireplace and storage niches. ‘There’s a wonderful interactio­n between the inside and the outside and if there’s the odd shower, that’s catered for,’ explains Tom.

The renovation­s have given the owners a remarkably adaptable house that is in many ways in tune with their heritage. ‘It has given our children as close as you can get to a South African lifestyle, with the forest and the outdoor areas so that we can barbecue all year round,’ says Tom. ‘And it seems to effortless­ly absorb people – no matter how many guests you have round, you can always find a quiet corner.’

Dunning & Everard, 01722 710608, dunningand­everard.com

 ??  ?? SITTING ROOM
Small touches, such as the trimming on the blind and ottoman, increase the sense of sumptuousn­ess. Chesham fireplace,
Jamb. Duck feet lamp, Porta Romana
SITTING ROOM Small touches, such as the trimming on the blind and ottoman, increase the sense of sumptuousn­ess. Chesham fireplace, Jamb. Duck feet lamp, Porta Romana
 ??  ?? SITTING ROOM Bespoke joinery frames the double entrance, which has pocket doors that slide into the wall. Walls in Oval Room Blue, Farrow & Ball
SITTING ROOM Bespoke joinery frames the double entrance, which has pocket doors that slide into the wall. Walls in Oval Room Blue, Farrow & Ball
 ??  ?? DINING ROOM
The sideboard is a commission­ed piece that is roomy enough to hold entertaini­ng essentials. Wall in Basalt, Little Greene. Artwork, Dale Elliott. Sideboard, Alter London
DINING ROOM The sideboard is a commission­ed piece that is roomy enough to hold entertaini­ng essentials. Wall in Basalt, Little Greene. Artwork, Dale Elliott. Sideboard, Alter London
 ??  ?? EXTERIOR
This louvred structure incorporat­es lighting, heating and speakers. Camargue canopy, Renson. Justiniano armchairs and Gocek sofas, Coco Wolf
EXTERIOR This louvred structure incorporat­es lighting, heating and speakers. Camargue canopy, Renson. Justiniano armchairs and Gocek sofas, Coco Wolf
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