Homes & Gardens

FRENCH CONNECTION

Architectu­ral practice De Rosee Sa gave a Notting Hill penthouse Parisian-style chic

- WORDS ALI HEATH PHOTOGRAPH­Y ALEXANDER JAMES

For Claire Sa and Max de Rosee, the husband-and-wife team behind De Rosee Sa, shaking things up is what they do best. Their creative skills, renowned in the industry, span talents in architectu­re, interiors and bespoke product design: this Notting Hill project is the culminatio­n of all three. ‘The penthouse was a dream to design,’ says Claire. More Parisian Haussmann than archetypal London box, it spans the length of the building, with five floor-to-ceiling windows that create an open rhythm between the spaces. ‘With such volumes and the rare lateral flow, we wanted to instil a French feel, reminiscen­t of elegant Paris apartments.’

The penthouse was stripped back to the bare concrete slab: roof removed, spaces rebuilt and the layout reconfigur­ed to form an empty canvas – now transforme­d as a celebratio­n of considered design with unique finishes and contempora­ry art. As part of the build, the lift shaft was extended up a level, providing private access to the penthouse. As you emerge from the lift, with its dark aluminium walls and black-and-white chevron marble tiles, the aesthetic merges into an altogether more light-filled space: think panelled walls in white and soft greys, punctuated by pops of warm red, blue and green.

Claire has layered bespoke De Rosee Sa designs, showcasing the company’s passion for distinct handcrafte­d pieces: a sophistica­ted narrow cane bench that gently traces the curve of the banister – painstakin­gly made to Claire’s exacting design; a study desk and sitting room coffee table; and classic floor-to-ceiling mirrors in statement ‘trumeau’ style, which further enhance the Parisian aesthetic. The kitchen, a classic De Rosee Sa design, combines practicali­ty with built-in joinery and display for decorative objects. The charming bistro table and Thonet chairs add an air of informalit­y.

Refined natural materials have been used throughout: solid oak floors, bespoke Carrara marble sinks and chic brass fittings and fixtures. Carefully curated art captivates the eye at every turn – a covetable collection, symbiotic of the couple’s passion for the creative arts and their love of mixing highend with antiques and bespoke works, commission­ed from within the team’s in-house studio.

‘I invest a lot of personal time in projects and tend to go off-grid, obsessing about finding the right wall lights or searching out the perfect desk chair – like the art deco one I sourced for the library and had reupholste­red,’ says Claire. ‘Old pieces add soul and patina and turn a project into a home, not a show space. I think antiques and bespoke finishes should trigger a visceral reaction – when that happens the wait is so worthwhile.’ Alongside stunning statement pieces, Claire has cleverly mixed in select high-street finds to complement the feel. ‘The combinatio­n of high-low stops rooms looking overly designed or formal. Spaces have to feel liveable, a place where you can truly unwind and relax.’

It’s no surprise that the De Rosee Sa team are in demand. ‘We are currently finishing a wonderful listed Georgian house and are working on a 30-bedroom boutique hotel in Portugal,’ says Claire. The hotel, another personal project, will involve the transforma­tion of a derelict 16th-century listed farmhouse overlookin­g the sea. This new venture is sure to be something rather special, too.

 ??  ?? SITTING ROOM Statement antiques and contempora­ry art add a decorative edge, as do the trumeau-style mirrors in the alcoves.
Hendricks sofa, Habitat. Lucite coffee table,
Sunbury Antiques Market. Table lamps, Pooky
SITTING ROOM Statement antiques and contempora­ry art add a decorative edge, as do the trumeau-style mirrors in the alcoves. Hendricks sofa, Habitat. Lucite coffee table, Sunbury Antiques Market. Table lamps, Pooky
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 ??  ?? KITCHEN
The elegant bistro table and Thonet chairs are reminiscen­t of a Parisian cafe.
Kitchen design, De Rosee
Sa. Basalt stone work surface, MGLW. Thonet chairs, Aram Store. Monochrome 1960s collage, Sunbury Antiques Market
STAIRCASE
Claire designed the new staircase that leads to the penthouse. The panelled walls were created with beading. Artwork, from various antique markets; similar at Brownrigg. Walls in
Dulux 30YY 56/060
STUDY
To switch the tempo, the home office is swathed in dark and bright hues.
Cabinetry in Dulux 90BG 08/075. Bespoke blue lacquer and brass desk, De Rosee Sa. Rug, Sunbury Antiques Market. The Art deco chair is a restored ebay find
KITCHEN The elegant bistro table and Thonet chairs are reminiscen­t of a Parisian cafe. Kitchen design, De Rosee Sa. Basalt stone work surface, MGLW. Thonet chairs, Aram Store. Monochrome 1960s collage, Sunbury Antiques Market STAIRCASE Claire designed the new staircase that leads to the penthouse. The panelled walls were created with beading. Artwork, from various antique markets; similar at Brownrigg. Walls in Dulux 30YY 56/060 STUDY To switch the tempo, the home office is swathed in dark and bright hues. Cabinetry in Dulux 90BG 08/075. Bespoke blue lacquer and brass desk, De Rosee Sa. Rug, Sunbury Antiques Market. The Art deco chair is a restored ebay find
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 ??  ?? HALLWAY
The stunning bespoke staircase exudes period elegance and the artwork is highlighte­d by its position in the panelling. Banister designed by De Rosee Sa and made by Sobart Constructi­on & Joinery. Bespoke bench, De Rosee Sa. Artwork, commission­ed by De Rosee Sa
HALLWAY The stunning bespoke staircase exudes period elegance and the artwork is highlighte­d by its position in the panelling. Banister designed by De Rosee Sa and made by Sobart Constructi­on & Joinery. Bespoke bench, De Rosee Sa. Artwork, commission­ed by De Rosee Sa
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