Homes & Gardens

A GRAND REVIVAL

Successful­ly curating a lifetime’s collection of objets and furnishing­s was key to this downsizing challenge

- WORDS RACHEL LEEDHAM PHOTOGRAPH­Y BOZ GAGOVSKI

Prior to becoming an interior decorator at Sibyl Colefax & John Fowler, Daniel Slowik managed the company’s antiques division, and it was in this capacity that he first met the owner of this Victorian terraced town house in south London. ‘She is a passionate collector and she would come into the Brook Street shop all the time,’ Daniel recalls. He continues, ‘Twenty years on, she got in touch with me via Instagram to say that she and her partner were downsizing to a house around the corner from their previous home and she wondered if I could help.’

As owner and designer strolled from the larger house to the smaller one, a plan began to emerge as to how a lifetime’s collection could be curated and shown in a new light in this more petite property. ‘From the outset we knew that this wasn’t going to be a case of acquiring new pieces; rather, it would be about re-covering, re-polishing or repainting her most treasured finds,’ Daniel explains. He adds,

‘We are entering an age of repurposin­g, which is something my company was doing when they were decorating country houses back in the 1950s. Our emphasis now, as it was back then, is on couture decorating – if you refinish a piece beautifull­y, it will come back to life and last for many years to come.’

Daniel’s approach to upcycling also applied to the fittings within this house. ‘I’ve increasing­ly been trumpeting about sustainabi­lity and not throwing things away when they are perfectly good,’ he says, citing as an example the property’s existing kitchen cabinetry. ‘It had rather unattracti­ve panelled units but we filled elements of the panels and repainted everything. We then added beautiful reeded knobs, which put our stamp on the room.’ Where new joinery was required, Daniel worked with his draughtsme­n to create classic designs, such as the drawing room’s elegant bookshelve­s that have →

been tailored to accommodat­e every different size of book in the owners’ collection.

For Daniel, the joy of this project was that his personal tastes and those of the client converged. ‘She loves florals and a palette of pinks, blues and greens – and so do I,’ he comments, adding that although the palette shifts from room to room, there is a connection between the spaces. ‘I always consider the view from one room into the next; it is important that it mustn’t jar.’ So, for example, the plaster pink of the hallway walls and the greens of framed botanical illustrati­ons are carried through to the adjoining sitting room, where Daniel’s approach to couture decorating is witnessed in features such as chic green piping on the pink sofa, or a slim band of orange trim on the chartreuse-hued curtains. ‘Curtain making and upholstery are not cheap but the fabrics don’t have to be expensive. It’s all about the details,’ he posits.

In other rooms, curtains from the previous house were reworked to suit the more modest proportion­s of the spaces. The master bedroom curtains, which match the drapes of the four-poster bed, formerly featured swags and tails, so Daniel had them simplified and hung them from a pole to make them more relevant to the scale of the room. Where required, furniture was carefully repaired, such as a pretty iron bed that was missing a castor. ‘We had to pay a visit to an iron bed company in the middle of a field – we discovered that antique iron beds are quite a niche market,’ Daniel recounts.

Daniel summarises this project as ‘a miniature country house in London’, and he believes that it exemplifie­s – albeit in a small-scale way – what he and his colleagues at Sibyl Colefax & John Fowler do best: ‘It’s about mastering colour and pattern and focusing on every detail,’ he explains, adding, ‘Our company was born out of these principles.’

Sibyl Colefax & John Fowler, sibylcolef­ax.com

INSIDER INSIGHT

Daniel Slowik shares his style vision MOST SUCCESSFUL PART OF THIS PROJECT The perfect synergy between decorator and client, and a lifelong friendship.

THE BIGGEST INDULGENCE The four-poster in the master bedroom – not what you’d expect in London but perfect!

TIP FOR COMBINING PATTERNS Be bold and follow your intuition. Sometimes the strangest combinatio­ns work perfectly together.

SECRET ADDRESS I love Jamb, our neighbours in Pimlico Road.

FAVOURITE INSTAGRAM ACCOUNT My partner’s @a.prin.art – the best guide to living with art.

LUXURY YOU WOULD NEVER FORGO A painted waste paper bin we make, designed by John Fowler.

 ??  ?? DRAWING ROOM
An old sofa was reupholste­red in a beautiful pink. Beading was added to the archway. ‘It gives a bit of oomph architectu­rally,’ says Daniel.
Sofa in Croisé Collobrièr­es Eglantine, Pierre Frey. Vintage kilim, Sibyl Colefax & John Fowler Antiques Department
DRAWING ROOM An old sofa was reupholste­red in a beautiful pink. Beading was added to the archway. ‘It gives a bit of oomph architectu­rally,’ says Daniel. Sofa in Croisé Collobrièr­es Eglantine, Pierre Frey. Vintage kilim, Sibyl Colefax & John Fowler Antiques Department
 ??  ?? DRAWING ROOM Designed to chime with the period of the house, the new joinery has been tailored to fit the owners’ collection of books.
Walls in Light Blue, Farrow &
Ball. Wing chair in L9153/04, Larsen. Mid 19th century mirror, Sibyl Colefax & John Fowler Antiques Department
KITCHEN
The dining furniture was repainted and treated to new seat pads. A fine marble-topped table adds a touch of grandeur. Cabinets in Old White; island in Railings, both Farrow & Ball. Seat pads in Fleurette, Sibyl Colefax & John Fowler
DRAWING ROOM Designed to chime with the period of the house, the new joinery has been tailored to fit the owners’ collection of books. Walls in Light Blue, Farrow & Ball. Wing chair in L9153/04, Larsen. Mid 19th century mirror, Sibyl Colefax & John Fowler Antiques Department KITCHEN The dining furniture was repainted and treated to new seat pads. A fine marble-topped table adds a touch of grandeur. Cabinets in Old White; island in Railings, both Farrow & Ball. Seat pads in Fleurette, Sibyl Colefax & John Fowler
 ??  ??
 ??  ?? DRESSING ROOM A painterly design has been used for the walls and curtains. Curtains and walls in
Snow Tree in Cream, Colefax and Fowler
DRESSING ROOM A painterly design has been used for the walls and curtains. Curtains and walls in Snow Tree in Cream, Colefax and Fowler
 ??  ?? MASTER BEDROOM An 18th-century French provincial chair was reupholste­red to suit the scheme. Chair in Arlo in Blueberry, George Spencer Designs
MASTER BEDROOM An 18th-century French provincial chair was reupholste­red to suit the scheme. Chair in Arlo in Blueberry, George Spencer Designs
 ??  ?? MASTER BEDROOM
The floral drapes of the four poster were in perfectly good condition so Daniel reused them. An English quilt dating to the 19th century adds another layer of richness.
Bed drapes in Maybury in Blue/green, Colefax and Fowler
MASTER BEDROOM The floral drapes of the four poster were in perfectly good condition so Daniel reused them. An English quilt dating to the 19th century adds another layer of richness. Bed drapes in Maybury in Blue/green, Colefax and Fowler

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