Huddersfield Daily Examiner

Creation masterpiec­e for the Choral Society H

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The performanc­e will be at Huddersfie­ld Town Hall on October 26 at 7.30pm when the choir will be conducted by Laurence Cummings and accompanie­d by the Royal Northern Sinfonia.

Haydn’s Creation is an oratorio written between 1797 and 1798 and considered by many to be his masterpiec­e. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis.

The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra.

In parts I and II, depicting the creation the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve.

The Royal Northern Sinfonia, based at Sage in Gateshead, is the UK’s only full-time chamber orchestra and was founded in 1958.

In recent seasons RNS has worked with a host of world class singers including Sally Matthews, Karen Cargill and Elizabeth Watts, and also collaborat­ed with leading popular voices such as Sting, Ben Folds, John Grant and Mercury Rev.

Conductor Laurence Cummings is one of Britain’s most exciting and versatile exponents of historical performanc­e both as a conductor and a harpsichor­d player. He was an organ scholar at Christ Church Oxford where he graduated with first class honours.

Until 2012 he was Head of Historical Performanc­e at the Royal Academy of Music which led to both baroque and classical orchestras forming part of the establishe­d curriculum.

Since 1999 he has been Musical Director of the London Handel Festival. Soloists will include Mary Bevan, Anthony Gregory, Henry Waddington.

In the 2017/18 season Mary débuts at the Teatro Real in Madrid as Rose Maurrant in Weill Street Scene and sings the title role in Turnage’s new opera Coraline for the Royal Opera at the Barbican Centre in London.

Tenor Anthony Gregory is acclaimed for the beauty and quality of his tone, stage presence and musicality and is in demand internatio­nally for baroque to contempora­ry repertoire.

Highlights in the 2017/18 season include his début for Den Norske Opera as Don Ottavio Don Giovanni, Odoardo Ariodante for Les Arts Florissant­s and title role in Rameau Dardanus for English Touring Opera.

Bass Henry Waddington studied at the Royal Northern College of Music. He has sung regularly with all the major UK opera companies. KING Arthur will be in Barnsley later this month.

The production has been penned by Michael Morpurgo, author of War Horse, and is a magical tale including spectacula­r sword fights, a classic battle between good and evil and a moving yet tragic love story.

The well-loved stories of King Arthur, Queen Guinevere, Sir Lancelot, the Lady of the Lake and the sword Excalibur come to life in this exciting adaptation of the best-selling novel.

When a boy becomes stranded at sea he is rescued by a mysterious old man who claims to be none other than the great King Arthur Pendragon!

Through the old king’s magical storytelli­ng, the boy and the audience are transporte­d back to the heady days of Camelot, the Knights of the Round Table, Merlin and his faithful hound, Bercelet, the Lady of the Lake and the sword in the stone.

Legendary adventures of brave chivalry and battles are all part of this exciting new family theatre production. The show comes to Barnsley after a hugely successful premiere at the Edinburgh Festival Fringe where it won rave reviews from critics and audiences.

It is recommende­d for age seven upwards.

It will be at The Civic in Barnsley on Wednesday, October 18 at 1pm and 7pm. Tickets for both performanc­es are £9/ £7 concession.

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