Huddersfield Daily Examiner

I wish I could say the costumes were as as they were The corsets take some getting used to

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F YOU think a historical drama about the longest reigning female ruler in Russian history may not be a barrel of laughs, you would be wrong.

This fictionali­sed account of a young, idealistic Catherine, played by Elle Fanning, who arrives in Russia for an arranged marriage to the spoilt and petulant Emperor Peter, played by Nicholas Hoult, is hugely entertaini­ng.

Created by Tony McNamara, who co-wrote Oscar-winner The

Favourite, The Great also plays fast and loose with history.

This darkly comic tale follows the trials and tribulatio­ns of Catherine as she quickly realises she would make a better ruler than Peter.

Here, Maleficent star Elle, 22, explains what drew her to the role of the monarch.

CATHERINE is an idealistic young woman who finds herself in a backwards world, married to a tyrant.

She quickly realises she would be a better ruler and plots to take over the throne.

Catherine is romantic and naive at the start, but throughout the series her ruthlessne­ss grows.

I WAS drawn to Tony McNamara’s singular voice. The tone and world he created was one I had never read before. The effortless blend of dark, bizarre comedy and emotional realism.

I read the script before I saw The Favourite so I really had nothing to compare it to.

The elaborate period setting, the over-the-top situations, yet still grounded characters, all set in a high stakes environmen­t.

Above all, Catherine as a character was what made me have to be a part of the show. She is such a dichotomy of a person.

Each page surprised me with what she was willing to do.

Tony captured her struggle as a woman trying to navigate a patriarcha­l society and not always succeeding.

She isn’t a perfect character. She is learning as she goes along with the guidance from the court.

Elle Fanning stars in a satirical, comedy drama about the rise of Catherine the Great. Here the star tells us what to expect from the period romp...

I ABSOLUTELY love Catherine’s unapologet­ic arrogance. She has a youthful confidence, which translates to always having a way to problem solve. She loves herself and truly believes she is best for the job. Her optimism pushes her through some extremely tough situations.

Throughout the series, destiny plays a beautiful role. Catherine’s love affair is not really with a man, it’s with a country.

VERY early on, Tony told us to put away our history books.

I wanted to create my own version of Catherine. I still approached her like I would any character. I guess the most different was it being a 10-hour series instead of a two-hour film. Having the luxury to explore and pace

SINCE we are not following the history books and in actuality, we would be speaking an entirely different language altogether, it made most sense to go with an English accent across the board for all characters.

Tony writes for the rhythm and cadence of the English accent. It sounds much more delicious.

THE costumes are drop dead gorgeous. I wish I could say they were as comfortabl­e as they were beautiful. The corsets take some getting used to.

I do not envy the ladies of the time. All of us women were so jealous of Nick (Hoult) and the other guys because they would saunter around shirtless or in robes!

Corsets aside, the way my costumes tell Catherine’s journey is vital. Her silhouette­s stay pretty simple and practical compared to the ladies of the Russian court.

My main colours were pale blue and green. But of course, at the end there is an electric pink dress (my favourite) that summarises Catherine perfectly.

It is her birthday dress and the dress she’s going to kill her husband

The Great is a lot of fun to watch. At the same time has a lot to say in a world still living in the fall out of #MeToo; would you agree? OUR show is about a young woman expressing her opinions loudly and being shut down for doing so.

But Catherine persists in making herself heard.

IN EPISODE two, Nick and I have a scene at the breakfast table. It was one of our first long back and forth scenes. We’re just sitting and firing back at each other.

I remember feeling so elated and having so much fun with Nick. He is such an incredible actor and human.

We work very similarly and like to

We are always the first to crack and laugh in scenes. Once we start it’s hard to get us to stop! try off the wall ideas whether they work or not. He has made Peter entirely three dimensiona­l. A character who on the page is so nasty and vile, Nick makes likable and charming.

Also, we are always the first to crack and laugh in scenes. Once we start it’s hard to get us to stop!

My favourite line of dialogue, I have to say, was, “the horse said no, and nay means nay.” 2020 affected everyone. We will always remember this particular year.

It has been a time of fear, loss and sorrow, but has hopefully brought us all together. Everyone on this planet has been affected by the pandemic in one way or another. It has given us a commonalit­y that hasn’t existed for so long.

It has certainly made me more grateful and reminded me not to take the small things for granted.

I hope 2021 brings peace and unity and many, many hugs!

 ??  ?? Elle Fanning as Catherine in new series The Great
Elle Fanning as Catherine in new series The Great
 ??  ?? As you say, the script knowingly plays fast and loose with
history...
A glamorous Elle on the red carpet
As you say, the script knowingly plays fast and loose with history... A glamorous Elle on the red carpet
 ??  ?? Nicholas Hoult as Peter with Elle as Catherine
Nicholas Hoult as Peter with Elle as Catherine
 ??  ??

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