Kent Messenger Maidstone

Evening of romantic extravagan­ce

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Assistant news editor Senior reporter Concert review by Dr Brian Hick Senior reporter The weather may have taken a turn for the worse but there was no doubting the enthusiasm of Maidstone Symphony Orchestra who seemed to have retained all the warmth and joy of the summer, in an evening full of romantic extravagan­ce.

Brian Wright opened with a thrilling reading of Dvorak’s Carnival Overture, the delicacy of the harp fending off the brashness of the brass and the thwack of the tambourine.

Shostakovi­ch’s Second Piano Concerto followed with Alexander Panfilov its vibrant soloist.

He brought a highly percussive approach to the work which was both exciting and convincing, though he has all the subtlety for the familiar Andante slow movement.

The fire he brought to his reading was mirrored in the Rachmanino­v Prelude which he gave as an encore.

We would happily have asked for more but that would not have been fair on him after the exertions of the concert.

Berlioz’s Symphonie Fantastiqu­e is equally familiar and gained in Senior reporter Senior reporter authority as it progressed.

From the offstage oboe to the sinister drum rolls at the end it was beautifull­y phrased in long, lingering paragraphs. I don’t normally mention soloists by name but the two tympanists, William Burgess and George Barton, really stood out in the final movements.

The March to the Scaffold had an intensity and power which came to fruition in the finale movement, Senior reporter Reporter

 ?? ?? Pianist Alexander Panfilov and the Maidstone Symphony Orchestra in action
Pianist Alexander Panfilov and the Maidstone Symphony Orchestra in action
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