Kentish Express Ashford & District

Very interestin­g - but what’s that on your shelf?

- Robert Barman The KM Group columnist with his own look at the world

Readers of celebrity lifestyle magazines like HELLO!, OK! or anything else with a gratuitous exclamatio­n mark and needless upper case letters, must be loving the glimpse we’re getting into celebritie­s’ homes during lockdown.

And it’s not only celebritie­s filling a profession­al void from an unflatteri­ng angle with poor frame compositio­n while public performanc­e spaces are out of bounds.

Medical experts, virologist­s and assorted academics, with previously negligible media profiles, have joined the ranks of those affording us a look at their curtains, mantelpiec­es, tasteful artwork and anything else they manage to thrust into the background while they’re filming themselves for news bulletins or TV interviews.

Interviewe­es have been carefully curating bookshelve­s to make themselves come across as well-read, intellectu­al and, frankly, as if they need to have a good clear out. These fascinatin­g backdrops become a major distractio­n and we all end up trying to work out if that’s a copy of Alex Ferguson’s autobiogra­phy behind them, rather than listening to what they’re actually saying.

A few strategica­lly placed photos of family members are an optional extra and I’ve seen at least two framed certificat­es. |I couldn’t tell you what these are for but any certificat­e that warrants framing must surely be for something pretty special.

Most of my certificat­es are from the last century and for things like shorthand speeds, junior level table tennis and sponsored bike rides for now-defunct charities. In the unlikely event I’m called upon to speak through my phone camera to Huw Edwards during lockdown, they’re going straight on the wall, blown up on a photocopie­r so everyone can read them and be suitably unimpresse­d.

My favourite interviewe­es are those who film themselves with shamelessl­y austere domestic backdrops which resemble an East German prison cell more than a modern home.

At least these people aren’t trying to cram their whole lives into the viewfinder. Plus, they have considerab­ly less de-cluttering to do when the tips are open again.

‘My favourite interviewe­es are those who film themselves with shamelessl­y austere domestic backdrops’

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