Landscape (UK)

The garden in July

Kari-Astri Davies is relishing the sights and sounds in her garden, which provides a haven for reflection

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THE BUMP-SHUTTLE WHIRRING sounds of haylage bales being made and wrapped go on into late evening, as the farmer works to outpace the anticipate­d thundery showers. In the morning, great green rolls stud the shorn fields next door.

The predicted downpour has bowed and split a once sturdy mound of Persicaria amplexicau­lis, while the heavy heads of leucanthem­um ‘Fiona Coghill’ lie prone. Both they and other plants will need cutting back, creating gaps in the borders. Neverthele­ss, the refreshing rain has been welcome.

Taking it slowly

Like many people lucky enough to have a garden, over the last few months, I have spent more time both in it and working in it. In the solitude and quietness, birdsong and the humming of insects have been more intense.

There has been no nagging voice in the back of my head, telling me: “Quick; I must get this done now”. Days have rolled out at a slower pace. Working to a more gentle rhythm, I have turned the soil, hoed, sowed and planted; uttering occasional apologies to worms of many sizes and hues for disturbing their daily routines.

The veg patch and I have kept pace this year. Potatoes went in, in a timely fashion, and the first carrots and beetroots were sown by mid March. Pink currants and blackcurra­nts were pruned, weeded and mulched. Runner and French beans clamber up a new rustic metal and bamboo cane frame, and sweet peas smother another. This is much more aesthetica­lly pleasing than my previous bodged cane and string constructi­ons.

The garden had been telling me it needed a little soil improving, so I have listened, and three tons of various mulches have been distribute­d across beds and borders to nourish the soil.

I have sat and looked; made small and larger interventi­ons. I have completed tidying and other jobs I had not managed to get around to from last year; maybe longer. I am by no means on top of everything, but being in the garden has been a calming, more contemplat­ive experience.

Hopes for rosemary

Rosemary has recently been reclassifi­ed as a salvia: Salvia rosmarinus, but I have decided to stick with the old name for the time being.

Rosmarinus officinali­s ‘Gorizia’, a very tall-growing cultivar, was starting to fail. Spring winds buffeting the old upright growth speeded up its demise. Another rosemary, ‘Green Ginger’, rapidly outgrew its pot and now looks yellowed and unwell.

I tried taking cuttings last year, but all failed. I realised that I may have been making the cuttings too long. This time, I have taken cuttings of 1¼-1½in (3-4cm) long from soft growth, cut just under a leaf node, then inserted them

“Now simmer blinks on flowery braes, And o’er the crystal streamlet plays” Robert Burns, ‘The Birks of Aberfeldy’

into well-gritted compost. I am hoping to have a more successful outcome this time.

Light and shade

On a hot July day, shade is my friend. I retreat under a leafy canopy to admire from a cool distance the sun-drenched borders and shifting drifts of butterflie­s. Gardens rarely look their best on a dull day: less defined, less vibrant.

Without sun, the play of dappling shadows under trees is silenced. This winter, I had an idea to plant Cornus alternifol­ia ‘Argentea’ in the copse to create gentle veils of tiered, silvered dancing leaves; enticing one onwards in summer down the shaded path. It remains an interestin­g idea. Said to be a slow-growing tree, a fairly mature and therefore expensive specimen is required to outrun the cow parsley and spring narcissus.

I have interplant­ed Hedera helix ‘Elfenbein’ among the wild green ivy scrambling across the ground and over old logs. It has very subtle white-tipped variegatio­n, which almost mimics the play of light on leaves.

The muddy brook bounding the garden flows more strongly since it was ditched in the spring. Glimpsed through the meadowswee­t and wild angelica lining the banks, it ripples, skips and glints in the sunlight; gentle gurgles marking the water’s passage.

“A filbert-hedge with wild-briar overt wined, And clumps of woodbine taking the soft wind Upon their summer thrones”

John Keats, ‘I Stood Tiptoe Upon a Little Hill’

AZALEAS ARE USUALLY considered to be one of those short-lived splendours of spring; their incredible display of resplenden­t blooms lasting just a week or two. But these new azalea hybrids have been specially developed to keep reblooming; lighting up the garden with beautiful blooms for up to 5 months. Available in lavender, white or double pink, apart from their unique reblooming nature, these azaleas also have the following features: • Evergreen • Dwarf habit, making them ideal

for containers • Extremely hardy to -10°C • Can be grown in shade or sun • New disease resistance

• Self-cleaning flowers

Buy one dwarf reblooming azalea for £13 or buy a mix of three, one of each colour, for £19.50: HALF PRICE.

Buy a mix of six, two of each colour, for £36 and SAVE £42.

Supplied in 9cm pots in 14 days.

 ??  ?? Left to right: Tiny bell-covered spikes of red bistort, Persicaria amplexicau­lis; time for a gentle hoe; sprouting red-veined beetroot leaves; relaxing with tea and fluttering sweet peas.
Left to right: Tiny bell-covered spikes of red bistort, Persicaria amplexicau­lis; time for a gentle hoe; sprouting red-veined beetroot leaves; relaxing with tea and fluttering sweet peas.
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 ??  ?? Kari-Astri Davies started gardening in her twenties with pots of roses, geraniums and sweet peas on a parapet five storeys up in central London. She’s now on her fifth garden, this time in the Wiltshire countrysid­e. Inspiratio­n includes her plant-mad parents, as well as Dan Pearson, Beth Chatto, Keith Wiley and the Rix & Phillips plant books. Kari describes her approach as impulsive, meaning not everything is done by the book.
Kari-Astri Davies started gardening in her twenties with pots of roses, geraniums and sweet peas on a parapet five storeys up in central London. She’s now on her fifth garden, this time in the Wiltshire countrysid­e. Inspiratio­n includes her plant-mad parents, as well as Dan Pearson, Beth Chatto, Keith Wiley and the Rix & Phillips plant books. Kari describes her approach as impulsive, meaning not everything is done by the book.
 ??  ?? Left to right: Dappled shade under trees; Virginia stocks attract a Cabbage White; meadowswee­t by the cool waters of the brook.
Left to right: Dappled shade under trees; Virginia stocks attract a Cabbage White; meadowswee­t by the cool waters of the brook.
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