Llanelli Star

SOUND JUDGEMENT

The latest album releases reviewed

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THE THEORY OF WHATEVER JAMIE T ★★★★✩

Jamie T doesn’t like the limelight. The wait for a new album from the Wimbledon-raised troubadour can last years – in this case six. But with the arrival of The Theory of Whatever, it’s clear something has shifted in the now 36-year-old’s psyche.

Once he channelled street urchin frustratio­n and longing, then hit an uncertain patch in the mid-2010s, but on The Theory of Whatever, the mists have cleared and he delivers some of his finest, most uplifting and at times hilariousl­y biting music in years.

Tracks such as the anthemic The Old Style Raiders capture a new sense of hope, while Keying Lamborghin­is is the opposite and one of the darkest songs he has written.

This is his last album under a record deal he signed in his teens and, as he hits a new stride, let’s hope we don’t have to wait long for the next one.

SURRENDER MAGGIE ROGERS ★★★✩✩

Maggie Rogers is back with a second album, although chances are you’ve never heard of her. With this new release, the Maryland-born singer-songwriter is gaining more fully deserved mainstream attention .

Singles That’s Where I Am and Want Want are the standouts, offering up pounding drums and grinding distortion while Horses is a beautiful song with emotional vocals delivered over a simple drum beat.

She scores a hat-trick with her latest work – she is a powerful vocalist, lyricist and multiinstr­umentalist. Surrender offers strong variety and demonstrat­es raw talent.

TAKE IT LIKE A MAN AMANDA SHIRES ★★★✩✩

Nashville veteran Amanda Shires delivers a strong album that deserves to build on the momentum of 2016’s My Piece of Land and follow-up To the Sunset.

The title track and second single is an early highlight, a powerful ballad lifted by dramatic strings, but mid-album standout Bad Behaviour takes the honours, from the seductive opening “oh-oh-ohs” to the teasing “Maybe I like strangers” chorus. Finishing with the jazzflecke­d Lonely at Night and the beautiful, wistful Everything has its Time – the latter showcasing Shires’ voice at its finest.

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