Loughborough Echo

ALSO SHOWING

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THE LITTLE VAMPIRE (U)

THE Little Vampire desiccates a familiar yarn of friendship between two boys – one mortal, the other fanged.

Vampires flock to Transylvan­ia to celebrate the coming of age of birthday boy, Rudolph Sackville-Bagg (voiced by Rasmus Hardiker).

Festivitie­s are interrupte­d by hunter of the undead, Rookery ( Jim Carter), and his apprentice Maney ( Joseph Kloska).

Rudolph escapes but is separated from his clan and seeks refuge in a guesthouse in the Black Forest, where he befriends 13-year-old vampire fanatic Tony (Amy Saville). However, Rudolph’s father forbids the human/ vampire fraternisa­tion.

The Little Vampire is drained of energy and laughs. Stereotype­s are perpetuate­d with glee – Matthew Marsh and Miriam Margolyes adopting German accents straight out of ‘Allo ‘Allo! as the guesthouse’s owners.

Fangs for nothing.

DEADPOOL 2 (15)

DIRECTED by “one of the guys who killed the dog in John Wick”, Deadpool 2 is a rollicking, gleefully irreverent and pottymouth­ed sequel, which proves you can have too much of a good thing.

The weight of giddy expectatio­n on David Leitch’s slam-bang sequel compels returning screenwrit­ers Rhett Reese and Paul Wernick to chase bigger laughs and outlandish thrills with tongue-in-cheek contributi­ons to the script from leading man Ryan Reynolds, whose red-suited motormouth takes on lethal assassin Cable ( Josh Brolin, pictured).

Consequent­ly, these rumbustiou­s two hours are crammed to bursting with pop culture references, droll one-liners and machine-gun profanitie­s that try a smidgen too hard to push the envelope.

ON CHESIL BEACH (15)

SKILFULLY adapted by Ian McEwan from his Booker Prize-nominated novella, On Chesil Beach is a heartbreak­ing portrait of doomed love.

Three-time Oscar nominee Saoirse Ronan and Billy Howle, pictured, are impeccably cast as trembling virginal newlyweds, who are illequippe­d to navigate the minefields of each other’s insecuriti­es and sensitivel­y handled intimation­s of sexual abuse by one parent.

There is a tragic inevitabil­ity to the trajectory of the couple’s fragile relationsh­ip, and a quiet devastatio­n shared by us and the characters as awkwardnes­s, shame and incomprehe­nsion push the young lovers’ relationsh­ip towards the rocks.

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