Why Texan progressive metallers OCEANS OF SLUMBER have made one of the albums of the year.
A prog metal band from Texas was never meant to get this big, or feel this exciting. But then, Oceans Of Slumber aren’t like many bands. And their new album is one of 2020’s masterpieces
Between 2018 and 2019, all the original members of Oceans Of Slumber left, bar drummer/ songwriter Dobber Beverly. He’d been the self-professed ‘shot caller’ of the band since they started in 2011, and later insisted they bring in female singer Cammie Gilbert, against two of his bandmates’ wishes (“there is a stigma in metal towards a boys’ club,” he notes). But with Cammie on board, they evolved from a loose, directionless project into a slick, soulful, progressive proposition that deftly incorporated extreme metal.
Dobber and Cammie are now the heart of the band, and are also engaged to be married. Together with keyboardist Mat Aleman (who joined in 2018) and new members Jessie Santos (guitar/backing vocals), Alexander Lucian (guitar/backing vocals) and Semir Ozerkan (bass), they are about to release their fourth album. Ambitious, honest and encompassing the personal and the political, it’s their best yet, ranging from thunderous black metal to gnarly death metal and powerful operatic drama. The fact that it’s self-titled surely stands as a statement about who they are in 2020.
“It’s to show this fresh start and this new generation, this new beginning of Oceans,” explains Dobber, speaking in a Southern drawl from his home in Houston, Texas. “We’ve made very confident strides in what we’re doing and the kind of music we’re making.”
Cammie met Dobber in 2015 when her then-band supported Oceans at a benefit show. She remembers seeing him in the middle of the crowd, glaring at her. In fact, Dobber was blown away by her voice and asked Oceans’ original vocalist, Ronnie Allen, to get her details. She duetted on some of Oceans’ songs, before graduating to frontperson when they ran into difficulties with Ronnie.
“Dobber is very serious; I found him quite intimidating,” she reveals today. “But watching him drum, then finding out he plays piano, then guitar, it was a cascade of my emotions falling into the band and my friendship with him. He’s one of the most impressive people I’ve ever met – he’s crazy musically talented, and he cooks amazing food! For me it was a pretty undeniable obsession that formed very quickly!”
Their friendship grew, but Dobber was married at the time. He calls it a “Walk The Line” moment, referring to the Johnny Cash biopic, where a mutual admiration and attraction developed between two musicians. He re-evaluated his life, ended his unhappy marriage, and the two got together.
“What Cammie and I fell into, was the fact that she had the same situation,” Dobber explains. “So when it became a friendship that was too interlinked, I was like, ‘I have to do the right thing to get out of the wrong situation.’
It was walking away from a long-term relationship that was shattered many, many years ago. And not repeating the things that I had done or gone through. There was an admiration for Cammie, and then the love that was between the two of us from respect and from everything else. It was very intense.
I’m a very intense person…”
“He’s very driven and focused,” adds Cammie.
“To my own detriment,” Dobber shoots back.
“I can be very emotional and I have a lot of energy behind my emotions, and they’re not always focused,” confesses Cammie. “So it’s a good balance. It keeps me from being like a supernova.”
In the living-room-cum-studio of their farmhouse in the city, and at their studio an hour north, Dobber and Cammie crafted Oceans Of Slumber. Dobber, who also has extreme metal side-projects Malignant Altar and
“I WANT TO EMPOWER PEOPLE WHO HAVE FELT FORGOTTEN”
CAMMIE GILBERT, VOCALS
Necrofier, composes the songs before bringing in the other members for the finishing touches. He gives Cammie a title or writing prompt to focus her attention on the lyrics. There are immersive stories of grief, depression, womanhood and love, but arguably the most intense song is Pray For Fire, which inadvertently captured the zeitgeist. Starting off chilled enough, it peaks with a spoken-word monologue that sounds like an early Daenerys Targaryen issuing commands to free a city.
Dobber explains it’s meant to be an inspiring anthem about facing your fears and challenging the status quo, led by a figurehead who’s working for the greater good. While it was coming together, they watched a documentary on the ship-breaking industry in India, where impoverished workers salvage metal and wood from huge container ships under treacherous conditions.
“You look across history, and there are people that are held down, and it creates such anger, and we do the same thing over and over again,” says Cammie. “I wanted a song that was empowering to those people that felt forgotten or lesser-than or oppressed, whether by socio-economic standing, or race, or war. It’s a full call to arms and a call for flames. Obviously with how things changed, it feels like it’s become a bit more literal than the song was meant to be, but I don’t necessarily mind adding fuel to that fire.”
She’s talking about the upsurge of anger following the murder of George Floyd, and the subsequent momentum of the Black Lives Matter movement, which transpired after the song was written. There have been protests downtown at Discovery Green, and for Cammie it’s meant a change in mindset as she comes to terms with current and historical injustices.
“My day-to-day life has not changed, but how I view things around me has changed quite a bit,” she explains. “I feel like the most impacting thing has been the amount of history I’ve learned about the US. I’m not surprised by the things I find out, but it’s very disheartening and it makes me really sad. It’s kind of a peculiar feeling, because you’re a modern person and you have this modern life, and then you find out this sad history that perpetuates so many things in your life now, and there’s a lot of cognitive dissonance.”
This examination of the past and the present has spurred her into action. “It’s taking on a responsibility that maybe I haven’t felt the need to do before, to not necessarily be an activist, but to make sure that I’m informed, and I speak correctly, and I give good information, and I show that I do care and that I do have opinions about these issues,” she says. “But above all else, we have a generation of younger people that are seeing this and growing up through this. I think it’s important that people in leadership roles are spreading positive messages.”
Another standout song with similar themes is the blastbeat-ridden The Adorned Fathomless Creation – a title from Dobber that describes the hypocritical and indefensible treatment of black people in America. He’d been thinking about how basketball player Lebron James pours money into education