Metro (UK)

Poems lift charming but unvaried night

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An Evening With An Immigrant

Bridge Theatre, London HHH✩✩ by CLAIRE ALLFREE

TO BE invited to Buckingham Palace is surreal enough; to be invited when the Home Office has just turned down your asylum applicatio­n verges on the farcical. No wonder playwright Inua Ellams, attending a Palace reception on the back of his success as a poet, spent half of it expecting someone from border control to whisk him away.

Ellams, 35, whose family have lived in Britain and Ireland since escaping religious persecutio­n in Nigeria in 1996, had three acclaimed plays put on at the National Theatre. But after years of immigratio­n wrangles it’s clear he feels his adopted country’s relationsh­ip with him is conditiona­l – he’s just not sure on what.

His has been a life of leaving communitie­s – in Nigeria, London and Dublin – and he tells his story of a search for a place to call home with charm and beguiling warmth.

Ellams interspers­es memories of his white best friend explaining to him what racism is, and the brotherhoo­d he found on the baseball pitch, with lissom, often semi-autobiogra­phical poems. Among the most touching is one celebratin­g his parents’ marriage.

Throughout runs a love for poetry and hip-hop, lending a muscular musicality to almost every line.

He’s great company, yet this 90minute show needs more variation. And as it lapses into broadsides on the rise of nationalis­m, it feels like a waste of his gifts as a storytelle­r.

 ?? OLIVER HOLMS ?? Musicality: Inua Ellams
OLIVER HOLMS Musicality: Inua Ellams

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